Synchronising flown central delays
Synchronising flown outer delays
Ideally, the sound should be perceived as coming from the stage over the whole
audience area - which means that all the delay loudspeakers should be aligned with
the stage opening. In practice, sight line, follow spot and camera shot restrictions will
affect placement for heavily raked seating areas and intelligent compromises will
need to be made.
Delay systems should be thoroughly checked over a wide listening area to ensure that
their level settings provide smooth coverage without hot spots. Delay times and levels
should be finely adjusted to minimise multiple arrivals in seating areas where systems
cannot be in line with the stage and more than one source can be heard.
All material © 2007. Martin Audio Ltd. Subject to change without notice.
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