Odyssey 7Q - Apple Prores 422 (HQ); FS700 RAW Support (DNG Sequences); FS700 RAW: Dealing with RAW Files

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POST PRODUCTION
Apple ProRes 422 (HQ)
The Odyssey 7 and 7Q records in Apple ProRes HQ which is a 10 bit 4:2:2 220Mb compressed
codec. This will allow for high quality recording while avoiding high data rates of working with
uncompressed video. (DPX)
NATIVE APPLE PRORES 422 SUPPORT
Adobe CC 2014*
Apple FCP X, Aperture
Cineform Studio
Final Cut Pro 7
Black Magic DaVinci Resolve
The Foundry Nuke
Autodesk Smoke
Sony Vegas
FS700 RAW SUPPORT (DNG SEQUENCES)
All FS700 RAW recording on the Odyssey7Q is recorded as a 12-bit linear CinemaDNG le.
With DNG les, timecode and clip metadata is stored in every frame, as well as in the XML le
within each clip. All audio is recorded 48Hz 16 bit Uncompressed WAV audio.
It is important to correctly set the white balance of the camera, as this is baked into the RAW
le.
NATIVE CINEMADNG SUPPORT
Adobe CC 2014*
Apple FCP X, Aperture
Assimilate Scratch Lab (future update)
Black Magic DaVinci Resolve
*Pending next Adobe CC update.
FS700 RAW: DEALING WITH RAW FILES
Note that FS700 RAW les are Linear, thus the les need a Gamma 2.2 correction in order to
look correct. You may notice when you rst import your les that they appear very dark before
correction.
FS700 DAVINCI RESOLVE IMPORT SETTINGS
1. Right click on the le and select “Edit CinemaDNG Codec Settings”
2. Then under the CAMERA RAW select be sure CinemaDNG is selected from the drop
down menu.
3. Set the Decode using method to CinemaDNG Default* (Also be sure your project is
setup correctly)
4. Set the White Balance to As Shot
5. Set the Color Space to Rec709
6. Set the Gamma to Rec709
7. Leave Highlight Recovery off
8. Click Apply
The Media Pool Camera RAW settings are the same as the ones in the color page and these
are designed for individual clip adjustment so its better to rst set the ‘Project Settings’, ‘Camera
RAW’ as you need for the whole project.
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