Odyssey 7Q - ACCESSORIES; CONVERGENT DESIGN ACCESSORIES; POWER SUPPLY OPTIONS

POST PRODUCTION
CANON C500 4K RAW SUPPORT
All Canon C500 4K recording on the Odyssey7Q is recorded as 10 bit Cinema RAW le.
Also note that with RMF les timecode, and Clip Metadata is stored in every frame, as well as
in the XML le within each clip. All audio is recorded 48Hz 32 bit Uncompressed WAV audio.
It is important to correctly set the white balance of the camera, as this is baked into the RAW le.
NATIVE CINEMA RAW SUPPORT
Assimilate Scratch Lab
Adobe CC 2014
Black Magic DaVinci Resolve Canon Cinema RAW Development
ARRI ALEXA ARRIRAW SUPPORT
All ARRI Alexa ARRIRAW recordings on the Odyssey7Q are recorded as 12 bit ARRIRAW le,
also NOTE that with ari les Timecode, and Clip Metadata is stored in every frame, as well as
in the XML le within each clip. All audio is recorded 48Hz 16 bit uncompressed wAV audio.
NATIVE ARRIRAW SUPPORT
Adobe CS6 / Adobe CSCC 2014
AutoDesk Smoke
Assimilate Scratch Lab
Black Magic DaVinci Resolve
Cineform Studio
Eyeon Fusion
The Foundry Nuke
ColorFront OnSet Dailies
For a more extensive list on ARRIRAW and workow please visit ARRI’s website at:
http://www.arri.com/camera/digital_cameras/workow/working_with_arriRAW/recording/
arriRAW_t_link/
43