Odyssey 7Q - Page 58

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RELEASE NOTES
KNOWN ISSUES, RECORD OPTIONS & OTHER
PLAYBACK
• Occasionally in Playback, when scrubbing through RAW or DPX les the image will become
pixelated, but will correct itself after scrubbing.
• In Playback, when scrubbing RAW les there is no audio.
• Occasionally in Playback, when selecting 2K and then 4K RAW clips the preview will become blue
& yellow or pixelated. To correct select a different clip, then reselect the original clip.
• Occasionally in Playback, when viewing FS700 2K RAW les playback will show bad colors on
initial clip selection. To resolve deselect then re-select the clip.
OTHER
• Occasionally in ARRIRAW when switching between 1.5 DL and 3G DL the image will be incorrect.
To correct, disconnect and reconnect one of the SDI inputs.
• 2K 12-bit/10-bit RGB 4:4:4 from the C500 has pink line on the SDI and HDMI output but not in the
recorded image.
• In FS700 RAW, there is a vertical line on the right side of the OLED and video output in some
images. This is an artifact of the debayer and not in the recorded image.
• Occasionally when recording in DPX or RAW, engaging PIXEL ZOOM can result in a horizontally
stretched image on the OLED panel. The recorded signal is not affected and the issue is corrected
by cycling through the PIXEL ZOOM settings.
• Occasionally in ARRIRAW after switching from 1.5 DL to 3G DL a Camera Trigger issue can cause
the unit to record 2-4 6-frame clips, then work correctly.
• FS700 LUTs have been adjusted to better mimic the camera when recording in RAW or 4K2HD.
• Adobe Premier FS700 RAW (CinemaDNG le support) is pending next update from Adobe to
correct issue with highlights turning to pink.
• Adobe Speed Grade FS700 RAW (CinemaDNG le support) is pending next update from Adobe to
correct imported frames showing as green. Also note that if les are rst imported via Premium, this
circumvents issue.
• In Resolve 11 Lite, FS700 RAW (CinemaDNG le support) underexposed images may appear
green when using “Auto-Color”. We are in contact with BlackMagic Design about this issue.
OTHER NOTES
To playback Apple ProRes 422 (HQ) les in QuickTime Player X, the les must be rst run through our
Apple ProRes 422 (HQ) Utility to be optimized for the recently released Apple ProRes 422 (HQ) Codec
update. If les are not optimized, then they will play the rst second of audio only. This is not an issue
when playing in FCPX.
NOT SUPPORTED AT THIS TIME
• 720p 24/25/30 signal (720p with 3:2 or 2:2 Pulldown)
• SD NTSC/PAL video
• 1080p 50/59.94 recording in Apple ProRes 422 (HQ)
• Analog audio input
• File name matching from the camera in video recording
• LTC Timecode Trigger
• HDMI Timecode in
• HDMI Record Trigger
• HDMI source in Multi-Stream Monitoring
• 720p 50/60 signal in Multi-Stream Monitoring
• Multi-Stream Recording
• User-Loadable and custom LUTs
• C500 120fps, 2K @ 50p, 59.94p
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