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Peavey
Amplifier
CS 1200
Peavey CS 1200 User Manual
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FRONT
PANEL
INPUT
SENSITIVITY
CONTROLS
(1)
The
CS-1200
employs
a
31
detented,
calibrated
sensitivity
control
tor
each
channel.
These
controls
are
labeled
in
a
more
functional
manner,
replacing
the
conventional
Oto
10
segmented
circle
with
the
actual
input
sensitivity
ratings
of
the
amplifier
for
various
settings
uf
this
control.
In
the
past,
this
control
has
often
confused
even
the
most
experienced
audio
technician
as
to
its
purpose
and
usage,
especially
when
it
is
simply
called
level
(rather
than
sensitivity).
This
new
labeling/calibrating
technique
will
help
to
explain
the
need
and
function
of
these
controls
and
the
significance
of
the
sensitivity
rating.
We
offer
the
following
in
way
of
explanation:
The
input
sensitivity
rating
of
a
power
amplifier
is
the
RMS
voltage
level
required
at
the
input
to
produce
full
rated
power
into
the
rated
load
at
the
output.
This
voltagethen
becomes
the
level
at
which
the
associated
mixer
must
operate
in
order
to
drive
the
amplifier
to
full
output.
Operation
at
levels
above
this
rating
wil
causethepoweramplifiertoclip
(produce
distortion)
unlessthe
associated
amplifier
has
acompressoror
limiterto
mimmizethisdistortion
Such
a
system,
called
DDT'"
(U.S.
Patent
#4.318,053).
Is
included
in
CS-1200
power
amplifiers,
and
the
advantages
should
be
obvious.
Without
DDT,
the
sound
engineer
must
"ride
gain”
on
the
mixer
in
order
to
prevent
power
amp
clipping.
Traditionally,
the
input
sensitivity
rating
of
a
power
amplifier
receives
low
billing
on
a
typical
specification
sheet
Often
it
gets
lost
among
other
interesting
specs,
such
as
damping
factor,
slew
rate,
transient
intermodulation
distortion
and
others.
This
rating,
however,
must
be
known
to
have
performance
visibility
at
the
mixer.
Further,
the
rated
sensitivity
on
the
spec
sheet
is
only
correct
when
the
power
amplifier
sensitivity
control
is
set
at
full
clockwise
or
maximum
setting.
Any
other
setting
increases
the
value.
With
a
numbered
circle
from
Oto
10,
this
new
higher
value
is
not
indicated.
Thus,
the
CS-1200
sensitivity
control
is
calibrated
in
both
RMS
voltage
levels
(usually
given
in
power
amp
spec
sheets)
and
the
equivalent
dBV
values
(usually
listed
in
typical
mixer
specs).
ThedBV
values
are
more
useful,
since
most
contemporary
mixers
employ
LED
arrays
to
indicate
mixer
output
levels
and
are
calibrated
in
dBV
Knowing
the
power
amplifier
sensitivity
rating
in
dBV
will
allow
the
mixer
operator
to
knowthestatus
of
the
power
amplifier
(whether
they
areclipping/ccmpressmg
or
not)
by
noting
which
LED
on
the
mixer
is
peaking.
Obviously,
the
LED
labeled
the
sameor
closest
to
thesensitivity
rating
of
the
power
amplifier
will
indicate
full
power
output
of
the
system.
Operation
below
that
level
will
indicate
how
much
so
called
power
amplifier
headroom
is
left.
Operation
above
that
level
will
cause
clipping
(or
compression
if
the
DDT
system
is
operational).
Perhaps
an
example
will
be
helpful:
Referring
to
the
CS-120G
face
plate,
you
will
notice
that
at
full
clockwise
setting
of
the
sensitivity
control,
the
sensitivity
rating
is
1.4V
RMS
or
+3
dBV
The
critical
LED
on
the
driving
mixer
then
is
the
one
labeled
+3dBV.
It
will
correlate
with
the
CS-1200
DDT
active
LED
in
that
whenever
the
+3
dBV
LED
on
the
mixer
flashes
on
peaks,
the
DDT
active
LED
will
also
flash
indicating
full
power
output
is
achieved.
If
the
CS-1200sensitivity
control
was
adjusted
to
a
higher
value,
this
new
value
would
become
the
new
correlation
level
on
the
associated
mixer.
There
is
a
very
simple
rule
regarding
the
setting
of
the
sensitivity
(or
level)
control
“Unless
there
is
a
specific
reason
not
to,
the
sensitivity
control
on
any
power
amplifier
should
be
set
to
full
clockwise
position,
resulting
in
the
minimum
sensitivity
rating.’’
There
are
several
valid
exceptions
to
thefull
clockwise
rule
The
first
one
presented
here
Involves
large
systems
where
it
is
often
necessary
to
employ
many
power
amplifiers
to
supply
the
same
signal
to
multiple
speaker
systems
to
achieve
the
necessary
sound
pressure
levels
or
audionce
coverage.
If
thevarious
power
amplifiers
have
different
sensitivity
ratings
and/or
the
various
loudspeaker
enclosures
have
different
efficient
ratings,
then
it
might
bonecessary
to
adjust
certain
sensitivity
controls
to
achieve
a
balanced
sound
pressure
level
between
The
parts
of
the
system.
In
this
case,
the
loudest
amplifier/speaker
combinations
will
require
those
amplifier
sensitivity
controls
to
be
adjusted
counter-clockwise
asnesessary.
Often
in
such
systems,
both
Peavey
and
non-Peavey
power
amplifiers
might
be
employed.
In
this
case,
as
a
starting
point,
it
might
be
necessary
to
match
thesensitivity
rating
of
the
Peavey
power
amplifier
to
that
of
the
competitive
power
amplifier.
As
an
example,
several
competitive
power
amplifiers
on
the
market
have
a
sensitivity
rating
of
2
volts
RMS
(that’s
+6
dBV
as
read
from
the
CS-i
200
sensitivity
control
clock).
If
such
a
competitive
amplifier
is
used
with
the
CS-1200,
then
the
CS-1200
must
beset
to
+6
dBV.
A
second
valid
exception
to
the
rule
might
occur
whenever
a
biamp
system
is
used.
This
exception
will
be
discussed
later
in
this
manual
when
biamped
systems
are
presented.
A
third
valid
exception
is
involved
in
small
club,
church
and
studio
applications,
where
the
full
power
output
capability
of
the
power
amplifier
is
not
needed
or
there
is
no
requirement
for
large
amounts
of
headroom
capability.
Simultaneously,
these
applications
usually
require
a
very
low
noise
system.
In
thiscafce,
it
is
possible
to
reduce
the
overall
system
noise
at
the
expense
of
headroom
capability
by
increasing
the
power
amplifier
sensitivity
accordingly.
As
an
example,
if
instead
of
a
sensitivity
rating
of
+3
dBV,
we
adjust
the
CS-1200
to
a
rating
of
+10
dBV,
overall
system
noise
will
improved
by
7
dB
with
the
resulting
7
dB
decrease
in
system
headroom
Remember,
once
this
is
done,
the
mixer
operator
cannot
reestablish
full
headroom
performance
settings
atthe
mixer.
If
he
wants
this
headroom
back,
he
must
doit
by
resetting
the
power
amplifier
sensitivity
2
4
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Owner's Manual
48 pages
4
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Peavey CS 1200 Specifications
General
Channels
2
Signal to Noise Ratio
> 100 dB
Input Impedance
20k ohms balanced, 10k ohms unbalanced
Weight
35 lbs
Dimensions
3.5" H x 19" W x 15.25" D
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