Appe
ndix D: Modulation Sources and Destinations
Modulation Sources Synth:
Free Envelope 1&2, Filter Envelope
Bipolar.
Free LFO 1&2, Filter LFO
Bipolar.
Arpeggiator Velocity
The Velocity row settings of the Sequencer. Bipolar.
Arpeggiator Free
The Fre
e row settings of the Arpeggiator. Bipolar.
Offset
C
onstant value to extend the range of controls. Bipolar.
White Noise
White noise
Pink Noise
Pink noise
Input
Audio input into Predator
Osc 1
Output of oscillator 1
Osc 2
Output o
f oscillator 2
Osc 3
Output of oscillator 3
Osc Mix Out
Output of all oscillators
Filter Out
Output of Filter
Modulation Sources Midi:
Modulation Wheel
The MIDI modulation wheel (MIDI CC 1) (unipolar ).
Mod.Whl.+Aftertouch
The MIDI modula
tion wheel combined with Aftertouch.
Channel Aftertouch (mono)
One aftertouch value is used for the whole keyboard. All notes being played
on a specific channel share the same monophonic aftertouch value. This is
how most keyboards work (unipolar).
Poly
Aftertouch
The Aftertouch value of each separate note is used as a modulation source.
Your MIDI keyboard must support this. If this doesn't work it is likely that
your keyboard has no polyphonic aftertouch (unipolar).
Velocity
The MIDI note
-
on velocity in
formation. The harder the key is hit, the higher
the modulation value (unipolar).
Pitch Bend
The value of the pitch
-
Wheel which is taken as modulation source. It is
usually
centered
which produces no change in pitch, with top value
producing maximum posit
ive values and bottom value producing maximum
negative values.
Note
The note being played with a linear response. The modulation value follows
the note number (bipolar).
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