38
Glossary
(from
p. 27
)
An example of PAf is as follows: Let’s say you are using the
ROLL function on all the pads. IF you press lightly on one pad,
and more strongly on another, then their respective sound levels
will be different.
(from
p. 27
)
Define the sensitivity of the pad or the like to control the
balance between the strike force and the sound volume. As the
value increases, the sensitivity gets higher, which means that a
louder sound is produced with weak strikes.
(from
p. 27
)
Setting the Minimum Levels for the Pads
Allows a trigger signal to be received only above a determined
velocity level. In the following example, B will sound but A and
C will not sound.
(from
p. 25
,
27
)
This setting determines the relation between playing velocity
and changes in volume.
The standard setting, producing the most natural
correspondence between playing dynamics and volume
change.
fig.VeloC-LINEAR.e
Stronger dynamics produce a greater change.
fig.VeloC-EP.e
Softer dynamics produces a greater change.
fig.VeloC-LOG.e
Extreme changes are made in response to playing dynamics.
fig.VeloC-SPLINE.e
PAf (Polyphonic Aftertouch)
Sens (Sensitivity)
Threshold
Curve (Velocity Curve)
Threshold
CBA
LINEAR
EXP1 (Exponential 1),
EXP2 (Exponential 2)
LOG1, LOG2
SPLINE
Volume
Striking Force
LINEAR
Volume Volume
Striking Force
EXP 2EXP 1
Volume Volume
Striking Force
LOG2LOG1
Volume
Striking Force
SPLINE
HPD-10_e1.book 38 ページ ２００６年４月７日 金曜日 午後２時１４分
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