Selecting the Key
Mode
O
SPLIT
Allows the keyboard
to be
split into two zones,
at a
specified
point (Split Point). This makes
it
possible for
you to
play
a
different Tone in each
zone. The currently selected Tone will
be as-
signed to the zone located above the Split Point, while the newly selected
second Tone will play
in the zone below
it.
The
Split Point
can be set anywhere within the range
C2-C87.
[Changing Tones]
ll!ll!H!lli!ll!ll!HHII'!i!"ii
Strings A
Piano 1
Split Point (lowest
note of the Tone on the right)
3: Piano 1
2KStrings
upper Tone
Lower Tone
(T) Move the
cursor
{^)
using
PARAMETER
[A]
[T], and select the Part
for which you
wish to
change the Tone.
The Tone can be
changed for the Part
where the cursor appears.
@
Use the
Tone
Selection button to change
the Tone.
*
Using
PART [-^1
[],
the
Part where the
cursor appears can be
changed.
[Setting
the Split Point]
®
Press
[SPLITI
to view the current setting for the
Split Point.
+
While holding
this down,...
b
SpI it
Point.
C4
(2)
Hold down [SPLITI,
and use
either the VALUE
slider or VALUE
[Al
[]
to
set the
Split Point.
(3)
Release your
finger from [SPUTl,
and the new Split
Point is stored in
memory.
*
All of the Key
Modes
employ two Parts
when sound is
produced. With
Fat and
Octave,
the Part
which
immediately preceeds
the currently
selected one is
employed. For
example, if Part
2 is currently
selected, and
you then choose
Fat or
Octave as the Key
Mode, Part
1 will be
combined Into the
resulting sound.
If Part
1
was originally
selected. Part 16
will be the
one added.
For
example,
when using the
sequencer
for ensemble
play, if you use
Fat/Octave
on
Part
2,
then Part 1 notes
won't
sound.
With Dual and
Split, the two
Parts
shown In the
display are
used. You
should be
careful
with the
allocation of
Parts when
employing a
sequencer if a Key
Mode is
in effect.
Part 2
Piano 1
FAT
1
^^
1
Part 1
Strings
Part 2
Part 2
Ml
Piano 1
Piano
l|
1
'
'
1
1
Copy
InJ
'
Pan 1
(i
Part 1
Piano 1
Strings
^
.
Saved
in
a
different area
17
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