Roland SPD-SX PRO - Page 194

Effect List (English)
194
Parameter
Value
Explanation
Amp Sw
OFF, ON
Turns the amp switch on/off.
Amp Type
Type of guitar amp
JC-120
This models the sound of the Roland JC-120.
CLEAN TWIN
This models a Fender Twin Reverb.
MATCH DRIVE
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
BG LEAD
This models the lead sound of the MESA/Boogie combo amp.
The sound of a tube amp typical of the late ‘70s to ‘80s.
MS1959I
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
MS1959II
This models the sound input to Input II on a Marshall 1959.
MS1959I+II
This models the sound of connecting inputs I and II on a Marshall 1959 in parallel.
lt creates a sound with a stronger low end than MS1959I.
SLDN LEAD
This models a Soldano SLO-100. This is the typical sound of the eighties.
METAL 5150
This models the lead channel of a Peavey EVH5150.
METAL LEAD
This is distortion sound that is ideal for performances of heavy riffs.
OD-1
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
OD-2 TURBO
This is the high-gain overdrive sound of the BOSS OD-2.
DISTORTION
This gives a basic, traditional distortion sound.
FUZZ
A fuzz sound with rich harmonic content.
Amp Volume
(*1)
0–127
Volume and amount of distortion of the amp
Amp Master
0–127
Volume of the entire pre-amp
Amp Gain
LOW, MIDDLE,
HIGH
Amount of pre-amp distortion
Amp Bass
0–127
Tone of the bass/mid/treble frequency range
Amp Middle
Amp Treble
Amp Presence
0–127
Tone for the ultra-high frequency range
Amp Bright
OFF, ON
Turning this “On” produces a sharper and brighter sound.
* This parameter applies to the “JC-120”, “CLEAN TWIN”, “MATCH DRIVE”, and “BG
LEAD” Pre Amp Types.
Speaker Sw
OFF, ON
Determines whether the signal passes through the speaker (ON), or not (OFF).
Speaker Type
Cabinet
Diameter (in inches) and number of the
speaker
Microphone
SMALL 1
Small open-back enclosure
10
Dynamic
SMALL 2
Small open-back enclosure
10
Dynamic
MIDDLE
Open back enclosure
12 x 1
Dynamic
JC-120
Open back enclosure
12 x 2
Dynamic
BUILT-IN 1
Open back enclosure
12 x 2
Dynamic
BUILT-IN 2
Open back enclosure
12 x 2
Condenser
BUILT-IN 3
Open back enclosure
12 x 2
Condenser
BUILT-IN 4
Open back enclosure
12 x 2
Condenser
BUILT-IN 5
Open back enclosure
12 x 2
Condenser
BG STACK1
Sealed enclosure
12 x 2
Condenser
BG STACK2
Large sealed enclosure
12 x 2
Condenser
MS STACK1
Large sealed enclosure
12 x 4
Condenser
MS STACK2
Large sealed enclosure
12 x 4
Condenser
MTL STACK
Large double stack
12 x 4
Condenser
2-STACK
Large double stack
12 x 4
Condenser
3-STACK
Large triple stack
12 x 4
Condenser
Mic Setting
1, 2, 3
Adjusts the location of the microphone that is recording the sound of the speaker.
This can be adjusted in three steps, with the microphone becoming more distant in the
order of 1, 2, and 3.
Mic Level
0–127
Volume of the microphone
Direct Level
0–127
Volume of the direct sound
Pan
L64–63R
Stereo location of the output sound
Level
0–127
Output Level
*1: This parameter corresponds to MFX Ctrl. For details, refer to “De MFX bedienen met de PAD EDIT [1] [2]-regelaars (MFX
Ctrl)(P.204)”.