AP-Synthesis (Articulative Phrase Synthesis) is one of the new features on the V-Synth GT. It en
ables per
ormance expression that exceeds the realism o
samplin
.
A new method of expression that
’
s neither sampling nor modeling
P-S
nthesis is a completel
new method o
sound generation; it does
ot merel
sample and reproduce the sound o
an acoustic instrument,
ut actuall
models the wa
that an instrument responds to being pla
ed
In a big step up
rom merely seeking realism in the sound wave
orm
itsel
, this method meticulously models the way in which the sound
roduced by the instrument responds to how the instrument is played
i
e conventiona
p
sica
mo
e
ing soun
generators mo
e
e
an
instrument’s “structure” (the shape of its resonant bod
, the length of
he tube, or the material of the vibrating object), AP-S
nthesis models
he “responses” or “operations” that are t
pical of that instrument being
a
e
, suc
as tri
s, portamento, vi
rato, or
namics
This means that the synthesizer is not restricted to simply reproducing the “sound,” but is also able
to reproduce the “expressions” and “operations” that are typical o
each instrument
T
e V-S
nt
GT mo
e
s t
e wa
in w
ic
t
e soun
respon
s to p
a
ing tec
nique on severa
cate
ories of solo instrument that have particular expressive power: the saxophone, the ute, the
erh-hu (a traditional Chinese instrument), and the violin. A trill played on a ute, a glissando on
a vio
in, an
specia
tec
niques suc
as vi
rato or crescen
o can
e expresse
simp
y
y p
ay
ing the keyboard, without your having to be conscious o
them, allowing you to create humanly
emotional per
ormances in a realistic way.
For examp
e
y app
ying t
e “vio
in” p
rase mo
e
to t
e “vio
in” source wave, you can o
tain a
ea
istica
y expressive so
o vio
in soun
t
at’s just
i
e w
at a vio
inist wou
p
ay—simp
y
y
laying the keyboard in the conventional manner.
What is AP-Synthesis?
01
Glissando technique
Vi
r
r
n