What to do if MIDI data cannot be exchanged with a computer or external MIDI device on Yamaha DTX-MULTI Drums?
If you're having trouble exchanging MIDI data with a computer or external MIDI device on your Yamaha Drums, consider the following: If using USB cables, ensure they are connected correctly. Also, verify that the MIDI IN/OUT parameter is set to 'USB' or 'MIDI' as appropriate.
Why do my Yamaha DTX-MULTI Drums sounds not stop or sound distorted?
If the sounds on your Yamaha Drums don't stop, are distorted, or are intermittent and stuttered, ensure that the setting for the M.Tune parameter is not too far removed from '0'.
What to do if multiple sounds are produced when a single pad is struck on Yamaha Drums?
If multiple sounds are produced when you strike a single pad on your Yamaha Drums, ensure that the signal cable is securely plugged into the jack on the DT20 or other drum trigger.
How to prevent double triggers on Yamaha DTX-MULTI Drums?
If multiple sounds are produced by a struck pad (double triggers) on your Yamaha Drums, and your external pads and triggers have output or sensitivity controllers, reduce the output or sensitivity to a more appropriate level.
Why can't I play closed hi-hat sounds on my Yamaha Drums?
If you cannot play closed hi-hat sounds on your Yamaha Drums, ensure that a suitable type has been selected for the pad type.
General| Type | Electronic Percussion Pad |
|---|---|
| Voices | 1, 277 |
| USB | USB to Host, USB to Device |
| Weight | 3.3 kg |
| Kits | 50 Preset, 200 User |
| Polyphony | 64 |
| Effects | Reverb, Chorus, Variation |
| Sampling | Yes |
| Dimensions | 345 mm (W) x 96 mm (H) x 319 mm (D) |
| Connectivity | Aux In |
Information about batteries used in the product and their handling.
Instructions for proper disposal of the product and its components.
Location of the product's name plate with model and serial numbers.
Warning against unauthorized modifications to the unit to maintain FCC compliance.
Essential safety precautions to prevent serious injury or death from electrical hazards.
Basic precautions to avoid physical injury or damage to the instrument and property.
Details on the 12 built-in pads and various input connectors for expanded functionality.
Description of the extensive sound library and included effects for enhanced audio quality.
Information on the 128 built-in patterns and the ability to record custom patterns.
Details on USB TO HOST and USB TO DEVICE ports for computer connectivity and data exchange.
Explanation of functions like Stack and Alternate for advanced triggering and playing styles.
Detailed identification and description of each button and control on the front panel.
Detailed identification and description of each connection port on the rear panel.
Steps for connecting and powering the instrument using the AC adaptor.
Guidance on connecting audio output devices like speakers and headphones.
Instructions for connecting the instrument to other audio devices for mixed playback.
Guide to recording DTX-MULTI 12 performances into a DAW application.
How to use the DTX-MULTI 12 as a tone generator with MIDI data from a DAW application.
Steps to configure the computer for Cubase remote control functionality.
Steps to enable and configure Cubase Remote mode on the DTX-MULTI 12.
Overview of front-panel button functions when Cubase Remote mode is active.
Identification of the 12 built-in pads and their corresponding numbers.
Guidance on the correct technique for striking the pads with drumsticks for optimal sound production.
Procedure for selecting and listening to the available preset patterns.
Step-by-step guide to recording your own performances as patterns.
Diagram illustrating the internal signal flow and processing blocks of the instrument.
Description of the 12 built-in pads and their numbering for parameter settings.
Information about the rear panel PAD jacks for connecting external pads and their zone capabilities.
Details on connecting a hi-hat controller via the HI-HAT CONTROL jack.
How to play sounds using FC4 or FC5 foot switches.
How to use FC4 or FC5 foot switches to change kits or patterns.
How to use the FC7 foot controller to adjust volume and other MIDI control change values.
Description of the built-in drum and instrument sounds available as preset voices.
Explanation of patterns as rhythmic or melodic phrases that can be played or recorded.
Description of waves as imported audio files used as custom voices.
How voice data is grouped and stored within kits, and how parameters affect assigned voices.
Details on the Layer function for assigning multiple voices to a single pad with different playback modes.
Overview of the four effect units (Variation, Chorus, Reverb, Master EQ) used for sound processing.
Explanation of Variation effects used to sculpt sound in various ways.
Explanation of Chorus effects that create a thicker, deeper tone by simulating multiple instruments.
Explanation of Reverb effects that add ambience and simulate acoustic spaces.
Description of the five-band Master EQ for overall instrument sound adjustment.
Explanation of Compressor and EQ effects for dynamic range and frequency control.
Description of Flanger and Phaser effects for creating swirling or phase-shifted sounds.
Explanation of Distortion effects used to add a harsh, biting edge to sounds.
Process of editing and storing User kits, emphasizing the use of the Edit Buffer.
Information on saving and loading data files to and from USB storage devices.
Overview of the seven main parameter setting areas accessible via dedicated buttons.
How to navigate through different sections within each parameter setting area using the < / > buttons.
Overview of the eight sections within the KIT setting area and how to navigate them.
Parameter to specify whether to select a Preset (P) or User (U) drum kit.
Parameter to select a specific kit by its number and name.
Setting the volume, tempo, and name for the currently selected drum kit.
Using the Layer Switch function to switch layers during performances via muting or hi-hat control.
Setting the Mute Switch parameter to enable muting functionality for pads.
Parameter to select the pad whose settings are to be copied.
Parameter to select the pad whose settings are to be replaced.
Swapping settings for a pair of pads within the currently selected kit.
Overview of the five sections within the VOICE setting area and how to navigate them.
Step-by-step guide for assigning a voice (preset, pattern, or wave) to a pad.
Assigning a voice to a specific MIDI note number.
Adjusting the tuning of assigned voices in one-cent steps.
Setting the volume of the selected voice.
Setting the stereo panning of the selected voice.
Setting the time for the voice to reach its peak level after a pad strike.
Setting the time for the voice to drop to a steady level after reaching its peak.
Setting the time for the voice to fade out after sending a MIDI Note Off message.
Setting a cutoff frequency for the low-pass filter of selected voices.
Specifying how overlapping sounds from the same pad or layer are treated.
Assigning voices to alternate groups for monophonic playback behavior.
Overview of the three sections (MIDI1, MIDI2, MIDI3) within the MIDI setting area and their functions.
Enabling or disabling MIDI messages to the internal tone generator.
Enabling or disabling MIDI messages to external MIDI devices.
Specifying which MIDI messages are sent when the current kit is selected.
Setting the MIDI volume sent when the current kit is selected.
Setting the MIDI pan value sent when the current kit is selected.
Setting bank select and program change numbers sent with the current kit.
Overview of the four sections within the WAVE setting area and how to navigate them.
Setting the playback mode for waves (oneshot or loop).
Overview of the five sections within the PATTERN setting area and how to navigate them.
Setting the tempo for playback of the selected pattern.
Setting whether a pattern is played repeatedly as a loop or as a one-shot.
Specifying which MIDI messages are sent by the pattern on each MIDI channel.
Correcting timing irregularities in recorded User patterns through quantization.
Overview of the sections within the UTILITY setting area and how to navigate them.
Setting the master volume for the instrument's internal tone generator.
Adjusting the basic pitch of the internal tone generator.
Specifying the kit to be automatically selected when the instrument is turned on.
Selecting the pattern to be automatically set when the instrument is turned on.
Selecting the trigger setup to be automatically selected when the instrument is turned on.
Specifying which effects will be bypassed when Effect Bypass is activated.
Selecting the sound to be used for the click track.
Setting the master volume for the click-track sounds.
Setting volumes for different beat timings within the click track.
Specifying where the click track will be output when activated.
Specifying whether click-track sounds are produced based on received MIDI Note On messages.
Turning the output of click-track MIDI events on and off.
Assigning a MIDI note number to click-track accent sounds.
Assigning a MIDI note number to click-track quarter note sounds.
Specifying operations performed when individual pads or external controllers are struck or operated.
Adjusting the position at which the hi-hat switches from open to closed.
Setting the sensitivity for detecting hi-hat foot splashes.
Enabling or disabling the sending of MIDI messages corresponding to hi-hat controller motion.
Enabling or disabling receipt of MIDI messages on Channel 10.
Enabling or disabling receipt of MIDI Program Change messages.
Enabling or disabling receipt of MIDI Program Change messages on Channel 10.
Enabling or disabling the exchange of polyphonic aftertouch messages with external MIDI devices.
Enabling or disabling local control, which disconnects pads from the internal tone generator when off.
Definitions of terms used in file management functions, such as file, file name, extension, and size.
Specifying the types of file to be saved (e.g., All, AllKit, AllWave).
Setting a name for the file to be saved, with constraints on characters and length.
Specifying the types of file to be loaded from the USB memory device.
Selecting the specific file to be loaded from the USB memory device.
Specifying the type of file to be renamed.
Selecting the file to be renamed.
Setting the new name for the file.
Specifying the types of file to be deleted.
Selecting the file to be deleted.
Overview of the four sections within the TRIGGER setting area and how to navigate them.
Selecting the pad type for built-in or external pads to optimize trigger signal processing.
Setting a level to prevent crosstalk from all other pads.
Troubleshooting steps for various sound output issues like distortion or intermittent signals.
Troubleshooting steps for unresponsive buttons or unchangeable values.
Steps to resolve issues where pattern playback fails to initiate.
Solution for patterns that loop continuously without stopping.
Troubleshooting steps when values are displayed as "---" and cannot be modified.
Steps to resolve issues with setting pads 10 to 12.
Troubleshooting steps for double triggers or multiple sounds from a single pad strike.
Troubleshooting steps for crosstalk issues where striking one pad triggers others.
Troubleshooting steps when only one voice sounds despite striking two pads simultaneously.
Checks for producing consistent trigger signals from acoustic drums.
Troubleshooting steps for issues with playing closed hi-hat sounds.
Troubleshooting steps for cymbal pad edge, cup, and choking technique issues.
Troubleshooting steps for hi-hat splash sound issues.
Troubleshooting steps for foot switches not working correctly.
Troubleshooting steps for unresponsive front panel buttons.
Checks for issues preventing data saving to a USB memory device.
Troubleshooting steps for MIDI data exchange problems with computers or external devices.
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