Behringer GRIND - Waveform Parameters

248 249Quick Start Guide
GRIND
Waveform Parameters
Icon Name Timbre Harmonics Morph Out 2
Red Bank
Virtual
analog
Square wave:
narrow pulse,
full square,
hardsync
formant
Detuning
between waves
Saw: triangle to wide
notch saw
Sum of two hardsync’d
waveforms
Waveshaping Wavefolder
amount
Waveshaper
waveform
Waveform symmetry Variant with another
waveform curve
FM 2
operators
Modulation
mix
Frequency ratio >12:00 – operator
2 modulates own
phase<12:00 – operator
2 modulates operator
1 phase
Sub-oscillator
Grains Formant
frequency
Frequency
between formant
1 and 2
Formant width and
shape
Simulation of ltered
waveforms – Harmonics
selects lter type
(peaking, LP, BP, HP)
Additive Most
prominent
harmonic
Number of bumps
in spectrum
Bump shape – at and
wide to peaked and
narrow
Variant that includes
harmonics from
Hammond organ
drawbars
Chords Chord
inversion/
transposition
Chord type Waveform Chord root note
Speech Vocal tamber
from deep to
high
Scrolls through
formant types,
SAM, and LPC
vowles/words
Word segment selection Unltered vocal signal
Karplus
strong
Brightness
and dust
noise
sensitivity
String stiness Decay time Copy of Out 1
Super saw Sets number
of waveforms
Adjusts harmonic
content
Sub-oscillator level Copy of Out 1
Wavetable
oscillator
Rotates
through
dierent
waves
Selects between
4 interpolated
banks followed by
the same
4 banks, in reverse
order, without
interpolation.
Column index Bit reduced version
of Out 1
Icon Name Timbre Harmonics Morph Out 2
Green Bank
Rain Rain grain
density
Amount of pitch
randomization
Droplet duration and
overlap, culminating in
a stack of 8 randomly
frequency-modulated
waveforms
Varient with sine wave
oscillators
Noise Clock
frequency
Scrolls through
lter response,
from LP to BP
to HP
Filter resonance Result of 2 BP lters
controlled by Harmonics
knob
Dust Particle
density
Frequency
randomization
Scrolls through
reverberating all-pass
lters followed by
increasingly resonant
BP lters
Raw dust noise
Modal strings Excitation
brightness
and dust
density
Amount of
harmonic
coloration
Decay time Raw exciter signal
FM drum LP lter
cuto
Blend between
harmonic content
Decay time Alternate FM drum
model
Bass drum Attack
brightness
and overdrive
amount
Frequency Decay time Alternate bass drum
model
Snare drum Balance
between
dierent
modes of the
drum
Blend between
harmonic and
noisy components
Decay time Alternate snare drum
model
Hi-hat HP lter
cuto
Blend between
metallic and
ltered noise
Decay time Alternate hi-hat model
Cowbell Brightness Texture Decay time Alternate cowbell model
Toms Tone Resonance Decay time Alternate tom models