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b1-b9 Bass tone control. b1-b4 cut bass frequencies by –12dB, –9dB, –6dB, and –3dB
respectively. b5 has no boost or cut. b6-b9 boost bass frequencies by 3dB, 6dB, 9dB,
and 12dB respectively.
d1-d9 Midrange tone control. d1-d4 cut midrange frequencies by –12dB, –9dB, –6dB, and
–3dB respectively. d5 has no boost or cut. b6-b9 boost midrange frequencies by
3dB, 6dB, 9dB, and 12dB respectively.
t1-t9 Treble tone control. t1 - t4 cut treble frequencies by –12dB, –9dB, –6dB, and –3dB
respectively. t5 has no boost or cut. t6-t9 boost treble frequencies by 3dB, 6dB,
9dB, and 12dB respectively.
Chorus/FX
The Chorus/FX model actually contains ten different modulation and pitch effects (described on
the following pages). Each effect includes nine settings which include a variety of configurations
that generally range from more subtle (lower settings) to more extreme (higher settings). The
Chorus/FX settings are:
OF Chorus/FX effect is turned off
C1-C9 Dual Chorus
F1-F9 Flanger
P1-P9 Phaser
t1-t9 Tremolo
n1-n9 Panner
b1-b9 Vibrato
o1-o9 Octavider
E1-E9 Envelope Filter
Y1-Y9 Ya Ya
TM
A1-A9 AutoYa
L1-L9 Step Filter
S1-S9 SynthTalk
TM
d1-d9 Detune
H1-H9 Pitch Shift
h1-h9 Whammy
TM
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