desired MIDI preset. Adjust the wet signal for the two Main Channels using the
assigned Reverb knob(12, 35). can also beswitched viaMIDI program change
orCustomZ-9Footswitch.
This button switches toand fro between and . The red LEDabove
the button lights up to indicate is on. You can also select loops via MIDI
programchangeorCustomZ-9Footswitch.
Both effect loops can be configured in series (that is, 100% processed signal when
is set to ) or in parallel (1% to 99% mix of preamp and effect signal when
is set somewhere between and ), or be bypassed altogether (0 % wet
balance when is set to ). You can connect an effect device to each of the
effect loops and switch from one effect device to the other using the FX Loop I/II
function, or employ just one of the two effect loops (for example, FX II Loop) and use
to activate the effect. In the latter case, serves as a bypass (set
its knobto the position).You could alsoconnect a furthereffect device to
the and alternate between it and the effect device connected to
(and , if itis inuse), or combinethe two. Notethat in thesignal path,
and arepost andprethetwomasterknobs.
Press this buttonto activateand deactivate the . Thered LEDabove the
button lights up to indicate is activated. You can also switch the
onandoffviaMIDIprogramchangeorCustomZ-9Footswitch.
The is an auxiliaryeffects loop.As its namewould indicate, itis wired in
series with and . This setup lets you insert two effect devices in
series, that is, one after the other, between the Special Edition's preamp and power
amp.Anotherneatoptionistoputalleffectloopstogooduse.Forinstance,youcould
insert three different effect devices into the amp's signal path, with one device
connected to each loop. This lets you enable the devices (two of which can then be
activatedsimultaneously)bysimplyswitchingloops.
¼"unbalancedinputjack.Plugyourguitarinhereusingashieldedcord.
Depending on the type of cord and its shielding, you may occasionally encounter
interference from sources such as radio stations or powerful magnetic fields. When
this occurs, try connecting your guitar to the amp using different cords. What's more,
to minimize signal degradation due to high-frequency loss, use the shortest cords
feasible (as a rule, the shorter the cord, the less susceptible it is to high-frequency
attenuation).
Reverb
FX Loop I FX Loop II
FX Loop II
Balance wet
Balance dry wet
Balance dry
FX Loop I/II FX Loop I
Balance dry
Serial FX Loop FX
Loop II FX Loop I
FXLoopI FXLoopII SerialFXLoop
Serial FX Loop
Serial FX Loop Serial
FXLoop
Serial FX Loop
FX Loop I FX Loop II
Atipfromthedesigner:
Atipfromthedesigner:
Atipfromthedesigner:
23FXLOOPI/II
24SERIALFXLOOP
25INPUT
12
To Next Page
Loading...
