Fender Rumble LT25 - Rumble LT25 Effect Models

RUMBLE LT25 EFFECT MODELS
This table lists the eect models in Rumble LT25, organized into the four categories that appear in each preset—
STOMP (stompbox), MOD (modulation), EQ and DELAY/REVERB. The eects labels used in each preset appear in
the lefthand column, followed by the eects types and a brief description in the righthand column. Note that
STOMP and MOD are “pre” eects; that is, they come before the amp model in the signal path. EQ and DELAY/RE-
VERB are “post” eects, placed after the amp model in the signal path.
STOMPBOX EFFECTS
OVERDRIVE
Versatile Fender overdrive specially designed for exibilty
BLUES DRIVE
Overdrive eect inspired by the original late-’70s Ibanez TS808 Tube Screamer
BASS DRIVE
Inspired by the snarl of the Tech 21 SansAmp Bass Driver pedal
ROCK DIRT
Distortion eect inspired by the Pro Co RAT
FUZZ
Versatile Fender fuzz with variable low-end response specially designed for Rumble LT25
OCTOBOT
Synth-like combination of octave-down eect plus octave-up fuzz
COMPRESSOR
Compressor with added gain, threshold, attack and release controls
SUSTAIN
Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with an especially
strong compression eect and short attack time
5-BAND EQ
Five-band graphic equalizer
MODULATION EFFECTS
CHORUS
Distinctive chorus eect that uses a triangle wave for modulation
FLANGER
Distinctive anging eect that uses a triangle wave for modulation
VIBRATONE
Classic late-’60s/early-’70s Fender eect with a rotating speaker bae
TREMOLO
Smoothly pulsating tube bias tremolo, as heard in amps
such as the Fender Princeton Reverb
PHASER
Long-indispensable jetliner “whoosh” heard on countless recordings
STEP FILTER
Rhythmically choppy eect that dices notes into distinctly alternating “steps”
TOUCH WAH
Wah eect controlled by picking dynamics rather than an expression pedal
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
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