Omni-directional microphones may produce a natural sound at low
cost but there is no feedback rejection. Their resistance to feedback
is the least effective of any such device and they are not usually
practical for live amplification, except at very low sound pressure
levels
FULL SIZED/LARGE DIAPHRAGM MICROPHONES: Full
sized/large diaphragm, uni-directional condenser or ribbon
microphones may be mounted on standard microphone stands or
guitar body mounting bracket
REVERB: A quality digital reverb (e.g. Lexicon) with a slow natural
decay, on a room/hall reverb setting a little larger or longer delay
than the ambience of the space you are performing in, can add the
impression of "air" in the sound
Headway is planning to introduce miniature “MicroPure” silicone
condenser microphones and “SuperBug” contact pickups in
versatile modular active blender form
9.0 PHANTOM POWER
Located on top
9.1 - THREE WAY PHANTOM SWITCH TO CH.1 JACK IN - 10v
TO RING / 10v TO TIP
This is not to be confused with the XLR On/Off switch on the top,
which switches off the XLR circuitry EDB-2 VAP phantom power
provision enables external powering of certain active pickup
systems and blender systems on board instruments with no battery
inside where wired to accept phantom power via ring ( stereo jack
lead ) or wired to accept phantom power to tip. Active pickup or
P. 56
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