There is also TAPE SATURATION if you’d prefer that here
instead of compression. You can swap out the CP knob
for a saturation parameter by sending MIDI CC 52,
value >0. This change is persistent between power
cycles unless you switch it back.
Ribbons’ compression algorithm is modeled after a
vinyl simulator found in a sampler that was used to
make a number of classic hip hop records.
COMPRESSION (CP) — Controls the dynamics of your
incoming audio and attenuates the loudest sounds.
As you increase it, your audio will feel warmer and more
balanced.
When used on guitar it can add some amazing sustain
to your notes, and on full mixes it has a magical way of
gluing your sounds together without distorting them.
Ribbons’ lters are modeled after the lter from a
very famous 1970’s synthesizer.
If you have suddenly lost eects and are unsure
why, double check your page 1 settings.
By design you can completely lter out incoming
audio by turning the LP knob all the way to the left,
or the HP knob all the way to the right. You will also
of course lose eects by turning the MIX knob down.
7
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