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Midas VERONA User Manual

Midas VERONA
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Auxiliary Outputs
The Verona has 8 auxiliary outputs which can be used for effects sends,
monitors or as extra assignable outputs from the console.
auxiliary (aux) sends are sourced after the channel Insert,
Mute and EQ but before the channel fader (and EQ if the Aux Pre EQ
switch is depressed). As a result, the actual level sent to the aux buss is proportional to the aux send control only.
aux sends are sourced after the channel Insert, Mute, EQ and channel Fader. As a result, the actual
level sent to the aux buss is proportional to the aux send control AND the channel fader.
Typical uses of auxiliaries are:
Stage Monitors Pre (Post-EQ) The level in the monitor stays constant so that
the engineer can change the FOH level without
affecting the performer.
Effects Sends Post The level sent to the effects is proportional to the
level on the fader so the balance between wet
(processed) and dry (un-processed) sound
stays the same even when the channel level is
changed
Multi Track Recording Pre (Pre-EQ) The recording is made at constant level without
or Monitors from FOH any equalisation so that changes in the mix level
and EQ can be set in post-production. (You can
also use the Direct Out for this but the output will
be at unity).
Mixed Recording Post(Post-EQ) If the aux is set to unity, the FOH mix is
(for the artist) replicated on the aux output including EQ but
excluding PAN
Aux sends 1 through 6 are globally switched Pre or Post Fader. However, Aux 7 and 8 may be
individually sourced either Post Fader or Pre Fader using the selector switch on the channel and
can not be set pre-EQ. However aux sends 7-8 can be linked to the pre EQ off switch, as well as 1-
6, via an internal jumper (refer to the service manual or contact your authorised Midas service
agent).
Please note that, for illustration purposes, auxiliary 1 through 5 sends have been omitted but work
in the same manner as auxiliary 6 (illustrated).
- The auxiliary send level is continuously variable from off (-inf) to +6dB.
- Auxiliary 7 and 8 sends are assignable Pre of Post fader. When depressed, the auxiliary is sources
pre-fader (i.e. the channel fader has no effect upon the level of the signal sent to the auxiliary).
Note: When a channel Mute is enabled, aux sends for the channel are also muted.
Pre-Fade
Post-Fade
Application Pre/Post Fade Reason
.
Aux Send Level
Aux 7/8 Pre
Operators Manual - Page 10
Mono Input ChannelsMono Input Channels
0
0
0
+6
+6
+6
aux 8
pre
pre
aux 7
aux 6
ins
MIDAS
mic gain
100
300 1k
2k
20
50 100
200
400
3k
8k
1k
2k
5k 10k
20k
20
60
160
400
-15 +15
-15 +15
-15 +15
-15
+15
+30 +45
+60+15
mic
padpower
48v -15
eq
on
0
0
0
0
0
0
0
0
+6
+6
+6
+6
+6
+6
+6
+6
eq
aux pre
off
treble
hi-mid
lo-mid
bass
hi-pass
pan
c
lr
groups master
pan s i s
-18
0
12
18
mute 1
mute 2
mute 3
mute 4
aux 1
aux 2
aux 3
aux 4
aux 8
mono
groups
stereo
1-2
5-6
7-8
3-4
pre
pre
aux 7
aux 6
aux 5
O
10
10
5
5
0
20
15
30
40
SOLO
MUTE

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Midas VERONA Specifications

General IconGeneral
TypeAnalog
Stereo Line Inputs4
Aux Sends8
Groups8
Subgroups8
Faders100 mm
USB Audio InterfaceNo
Number of Channels32
Mic Inputs24, 32, 40
Frequency Response20 Hz to 20 kHz
EQ Bands4-band
Frame Sizes24, 32, 40 channels
Total Harmonic Distortion<0.01%
DimensionsVaries by frame size
WeightVaries by frame size

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