Midas PRO SERIES

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Owner’s Manual

PRO Series Live Audio Systems

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Important Safety Instructions5
Instructions de Sécurité Importantes6
PRO6 EC-Declaration of Conformity7
PRO9 EC-Declaration of Conformity11
Licences13
- General Precautions17
Precautions17
- Safety Warnings17
- Audio Connections18
- Handling the Equipment18
- Electric Fields19
- Optional Equipment19
- Special Accessories19
Recommandations21
- Connexions Audio22
- Table of Contents25
Contents36
Overview43
Chapter 1: Introduction45
- About this Manual45
- Training47
- PRO Series User Documentation47
- PRO Series Host Software Version47
- Warranty and Registration47
- Service and Support47
Chapter 2: PRO Series Live Audio Systems49
- Introducing the PRO349
- Introducing the PRO649
- Introducing the PRO949
- Overview50
- Key Features51
- Applications55
- System Components56
- FOH and MON59
- System Buses59
- MIX Matrix60
- Processing62
  - Processing Components62
  - Input Channel Processing62
  - MIX Channel Processing63
  - Output Channel Processing63
  - Effects Processing and Geqs64
- Audio Physical Connections64
- Surround Capabilities64
- Network65
- Reliability (Redundancy)65
- Control Software65
- Gui66
- System Card Expansion66
- Console Linking66
- Integration of Third Party Hardware/Software66
Chapter 3: About the Control Centre69
- Overview of the Control Centre69
- Bay and GUI Layout70
- Control Surface71
- Gui72
- Front and Rear Panel Connections73
- External Interfaces and Peripheral Devices74
- MIX Buses74
- Automation75
- Processing Elements75
Getting Started77
Chapter 4: Setting up the System79
- Initial Set-Up Procedure79
- Unpacking the Equipment79
- Making up a Rack79
  - Outboard Equipment Rack Requirements79
- Wiring Instructions80
- Powering the System84
- Switching the Control Centre On/Off85
- Setting up the ID of the Unit(S)86
Basic Operation of the PRO Series87
Chapter 5: Before You Start89
- Principles of Operation89
- Operating Modes89
- Hints and Tips90
- Saving Your Work91
  - Saving a Show Versus Storing a Scene91
  - Shutting down the Control Centre Properly91
Chapter 6: Working with the Control Centre93
- About the PRO Series Controls93
- About Channel Operation94
- About GUI Operation94
  - Click95
  - Drag95
- Common GUI Screen Elements95
- Parameter Values Displayed on Touch96
- Operating the GUI Screen Controls96
- Using the GUI Menu98
- Text Editing99
Chapter 7: Navigation101
- An Introduction to Navigation101
- Navigating the Input Channels101
- Navigating the MIX Buses106
- Navigating the Output Channels108
- Navigation Via the GUI110
- Fault Finding a Problem Channel111
Chapter 8: Patching113
- Introduction113
- Terms Used in PRO Series Patching113
- About the Patching Screen113
- Patching Tooltips130
  - Standard Tooltip130
  - List Tooltip130
- About the Patching Procedure131
- Configuring the Devices131
  - About the Configuration Window132
  - Device Configuration Procedure132
- Configuring the Snake Type134
- Setting up the I/O Rack Devices134
  - Device Set-Up Procedure135
- How to Patch136
Chapter 9: Basic Operation141
- Setting a MIC Amplifier's Input Gain141
- Setting the High and Low Pass Filters142
- Input Equalisation (E Zone)143
- Input Dynamics Processing (D Zone)144
- Output Processing145
- Using VCA/POP Groups146
  - Configuring VCA/POP Groups147
- Setting up a MIX148
  - MIX Bus Routing150
  - Linking150
- Using Fader Flip150
- Setting up the Effects Rack151
- Simple Routing to Master Stereo Outputs153
- Scene and Show Management (Automation)154
- Configuring the Inputs and Outputs160
- Using Copy and Paste160
  - Copy and Paste Rules and Restrictions161
- User Library (Presets)161
- Surround Panning162
- Two-Man Operation164
- Saving Your Show Files to a USB Memory Stick165
- External AES50 Synchronisation166
- Security (Locking Mode)166
Advanced Operation and Features167
Chapter 10: Stereo Linking169
- Changing the Linking Options170
- Linking the Master Channels171
Chapter 11: Panning173
- Stereo Panning173
- SIS™ (LCR) Mode173
- Surround Panning175
  - About the Controls in Surround Mode176
- Speaker Placement178
Chapter 12: Soloing179
- Using solo A/B179
- Solo Hierarchy181
- Solo in Place (SIP)181
Chapter 13: Muting183
Chapter 14: Monitors and Communications185
- Monitors (a and B)185
  - Delay (GUI Only)187
- Solo System187
- Signal Generator192
- Talk Osc/Routing194
  - Internal Talk Groups195
- Talk MIC196
  - Internal Talk MIC196
  - External Talkback197
Chapter 15 Graphic Equaliser (GEQ)199
- Overview of the Geqs199
- About the Graphic Eqs Screen200
- About the GEQ Window201
- GEQ Front Panel Features202
- Configuring the Number of Geqs (and Effects)203
- Copying Settings between Geqs204
Chapter 16: Internal Effects205
- Overview of the Internal Effects205
  - Rack Unit Number Allocation206
- About the Effect Window206
- Working with the Effects207
- Effect Configuration207
- Effect Programs208
- Delay Effect208
- Virtual DN780 Reverb Effect210
- Flanger Effect212
- Phaser Effect213
- Pitch Shifter Effect215
  - Feedback216
- SQ1 Dynamics Effect216
- 3-Band Compressor Effect217
Chapter 17: Control Groups219
- VCA and POP Groups219
- Auto-Mute (Mute) Groups222
- Talk Groups223
- About the Control Group Screens224
  - Management Section224
- Programming the Groups225
- Configuring the Groups226
Chapter 18: Copy and Paste227
- Channels Versus Scenes227
Chapter 19 Assignable Controls (I Zone)229
- About the I Zone229
- Controlling a Rotary Control229
  - About the Assignable Controls Window230
- Using the I Zone to Control an Internal Effect/Geq232
  - About the Assignable Controls Panel on the GUI232
  - Rack and Unit Control Navigation233
- Controlling an Internal Effect Via the I Zone235
- Controlling a GEQ Via the I Zone236
Chapter 20: Scenes and Shows239
- About Automation239
- Automation Controls240
  - Next LCD Button241
- Automation Screen241
- Using the Right-Click Menu242
- Scenes243
- Scene Contents244
- Point Scenes244
- Numbering and Navigation244
- Global Scene244
- Initial Snapshot Scene (Scene 0)244
- Date and Time245
- Scene Cue List245
  - Configuring the Scene Cue List View247
- Editing Scene Properties247
- Adding a New Scene248
- Copying and Deleting Scenes248
- Changing the Order of the Scenes249
- Overriding Store Scope249
- Using Patching in Automation250
- Using Zoom250
- Show Files251
  - Managing Show Files251
  - Managing Show Files on the Files Screen252
- Rehearsals252
- Safes253
Chapter 21 Scope (Automation)255
- About Scope255
- About the Recall Scope Screen255
- Selecting Scope Parameter Sections257
  - Selecting Bus Parameters260
- Saving Scope Parameters in a Scene261
- Using Store Scope261
Chapter 22 Events (Automation)263
Chapter 23 Crossfades263
- Global Scene263
- Connecting up the MIDI/GPIO Equipment264
- About Events263
- About the Edit Event Window264
- Programming Events265
Crossfades (Automation)269
- About the Crossfade Edit Event Window269
  - About the Crossfade Parameters270
  - Crossfade Set up Section in the Edit Event Window271
- How a Crossfade Operates272
- Crossfade Groups273
- Global Events275
- Manually Controlling a Crossfade276
Chapter 24 User Libraries (Presets)277
- About the Preset Manager Screen277
- Managing User Libraries278
- Deleting Presets from a User Library279
Chapter 25: File Management281
- About the Files Screen281
- About the Master Controller File Synchronisation Window283
Chapter 26: Using Other Devices with the PRO Series285
- Using Multiple Digital Consoles285
  - Synchronising the Consoles285
  - Sharing DL431 MIC Splitter a and B Inputs286
- Using an External USB Mouse286
- Using an External USB Keyboard286
- Using an External Monitor287
Chapter 27: Changing the User Settings289
- Setting the Meter Preferences289
- Configuring a Virtual Soundcheck290
- Restoring the PRO Series Defaults290
- Checking the PRO Series Build Information290
- Setting the Configuration Preferences291
- Changing the User Interface Preferences292
- Changing the Signal Processing Preferences292
- Configuring the Channels, Groups and Internal Units293
- Changing the Default Input/Output Names293
- Adjusting PRO Series Illumination293
- Setting the Time and Date294
Chapter 28 Delay Compensation (Latency)295
- Insert Compensation295
- GEQ Compensation296
- GUI Delay Compensation Options296
- Monitor Mode (Align with Masters)298
- Zones299
- Master to Matrix Post-Processing Option299
- Solo Bus Delay Compensation300
- Typical Configurations301
Chapter 29: Panel Connections307
- Front Panel Connections307
- Rear Panel Connections308
Chapter 30: Inputs319
- Input Channel Routing319
- Input Channel Areas of the Control Surface320
- Input Fast Strips, Channel Strips and MIX Buses321
- Inputs on the GUI322
  - GUI Input Fast Strips322
  - GUI Channel Strips (Inputs)322
- Input Metering324
- Channel Configuration Controls325
- MIC Amp Input Gain (Preliminary Input Processing)328
- Dynamics (D Zone)332
- Insert340
- EQ (E Zone)341
  - EQ Graph343
- Mixes345
- Master Controls, Solo/Mute and Fader348
- Outputs353
Chapter 31 Outputs353
- Output Channel Routing353
- Output Channel Areas on the Control Surface354
- Output Fast Strips, Channel Strips and MIX Buses355
- Outputs on the GUI356
  - Output Fast Zone (Overview Screen)356
  - GUI Channel Strips356
- Output Metering360
- Talk361
- Dynamics and EQ361
- Mute, Safes, Level and solo367
- Output Channel Configuration Controls369
- Mixes371
- Masters372
Chapter 32: GUI Menu373
- Elements of the GUI Menu374
- GUI Menu Flowchart375
- GUI Menu Options378
Appendices381
Appendix A Application Notes383
- Spatial Imaging System (SIS™)383
- PRO Series Compressor Modes (Dynamic)383
  - Description383
  - Compressor Envelope Modes385
- PRO Series Input Channel EQ Modes387
  - Basic Specification387
  - Description of the Input Channel EQ Modes387
- PRO Series Output Channel EQ Modes389
  - Basic Specification389
  - Description of the Output Channel EQ Modes389
Appendix B Technical Specification391
- PRO Series General Statistics391
- PRO Series General Specifications393
- PRO Series Audio Performance Specifications394
- PRO Series System Inputs and Outputs398
- PRO Series Input and Output Characteristics404
- PRO Series Main Processing Functions406
- PRO Series Status Functions410
Appendix C Klark Teknik DN370 GEQ411
- Notes411
- Using the GEQ411
- Audio Signal Path413
Appendix D Klark Teknik DN780 Reverb415
- Parameter Application Notes415
- About the Special Effects Programs416
- Technical Specifications419
Appendix E I/O Modules421
- DL441 Analogue Input Module422
- DL442 Analogue Output Module423
- DL443 Analogue Jack I/O Module424
- DL444 Analogue D-Type I/O Module426
  - Connecting to Eight Xlrs429
  - Pinouts for the Remote Status Connector430
- DL452 Digital I/O Module431
Appendix F Replacing a Module433
- Replacing a Module433
Appendix G Troubleshooting435
- No Audio435
- Diagnostics435
  - About the Diagnostics Inspector Window437
- Swapping the Active Network438
- Swapping the Active Master Controller438
- Synchronising the Files439
- Mapping a GUI Screen to Another Bay440
- Reset Switches440
- Troubleshooting Automation441
Appendix H Updating PRO Series Host Software449
- About the PRO Series Updater449
- About the Updater Screen450
- Using the PRO Series Updater452
Appendix I Documentation457
- System User Documentation457
- Supplementary Documentation458
Appendix J Reference Tables459
- Definition of the Primary Buses459
- Navigating to the Patching Screen460
Appendix K Parameters Affected by Scope463
- Introduction463
- Overview464
- Inputs465
- Returns (Aux Returns)475
- Auxes (Aux Sends)481
- Matrices489
- Masters495
- GEQ Rack502
  - Patching502
  - Geq503
- Effects Rack504
  - Patching504
  - Effects505
- Groups506
Appendix L Parameters Affected by Automate Patching507
- Inputs507
- Auxes508
- Matrices508
- Masters509
- Effects509
- System Devices510
- Monitors510
Appendix M Parameters Protected by Safes511
- Overview511
- Inputs512
- Auxes (Aux Sends)520
- Returns (Aux Returns)528
- Matrices533
- Masters541
- Groups549
Appendix N Parameters Affected by Copy and Paste553
- Overview553
- Inputs554
- Aux562
- Return568
  - Compressor568
- Master576
Appendix O Parameters Affected by Stereo Linking581
- Overview581
- Input Controls582
- Inputs582
- Direct Input583
- Direct Output583
- Filters584
- Dynamics585
- Insert587
- Bus Sends589
  - Master Routing590
  - Fader591
  - Delay592
  - Input Controls593
  - Direct Input594
  - Direct Output594
  - Filters594
  - Dynamics595
  - Insert596
  - Bus Sends598
  - Master Routing599
  - Fader600
  - Delay601
- Direct Output602
- Input Controls602
- Return602
- Direct Input603
- Dynamics603
- Filters603
- Insert603
- Bus Sends604
- Master Routing605
- Delay606
- Fader606
- Direct Output607
- Input Controls607
- Matrix607
- Direct Input608
- Filters608
  - Dynamics609
  - Insert610
- Bus Sends612
- Master Routing612
- Fader613
- Delay614
- Input Controls615
- Master615
- Direct Input616
- Direct Output616
- Filters616
  - Dynamics617
  - Insert618
  - Bus Sends620
  - Fader620
  - Master Routing620
  - Delay621
Appendix P Parameters Copied through Scenes623
- Config Sections624
- Inputs (Input Channels)624
- Comp./Output Dyn626
- Gates627
- Recall Scope631
- Store Scope631
- Routing632
- Aux Returns (Return Channels)633
- Effects649
- Geqs649
- VCA/POP (Groups)649
- Misc (Miscellaneous)656
Appendix Q Service Information657
- Cleaning a GUI Screen657
- Cleaning the Control Centre657
- Equipment Disposal657
- Routine Maintenance657
Glossary659

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Midas PRO SERIES Specifications

General

Series	PRO SERIES
Sample Rate	96 kHz
Word Clock	Yes
Type	Digital Mixing Console
Mix Buses	Up to 24
Connectivity	AES50
Control Surface	Motorized Faders
EQ Bands	4-band Parametric EQ per channel
Effects	Multiple internal effects engines
Frequency Response	20 Hz - 20 kHz
Processing	40-bit floating point