Midas PRO SERIES User Manual

417
PRO Series Live Audio Systems
Owner’s Manual
Appendix J: Reference Tables
This appendix contains tables that may provide a useful reference.
Definition of the primary buses
The primary buses are shown in the following table.
Table 24: Definition of primary buses
Bus Description and option
Source and
destination
Aux • Mono aux mix pairs (contributions
taken pre-/post-fader, level and level)
• Stereo aux mix pairs (contributions
taken pre-/post-fader with own level and
pan)
• Subgroup style single (contributions
taken post-fader, mono)
• Subgroup style pairs (contributions
taken post-fader, main pan stereo)
• Mix minus style single (contributions
taken post-fader, mono)
• Mix minus style pairs (contributions
taken post-main, pan stereo)
From inputs (including
aux inputs set to input
channel mode) to aux
sends in the mix area
Matrix • Matrix mix mono pairs (contributions
taken pre-/post-fader, level and level)
• Matrix mix stereo pairs (contributions
taken pre-/post-fader with own level and
pan)
• Optional 5:1 subgroups
From inputs, auxes
and masters to matrix
outputs in the mix
area
Master • Master group style single (post-fader
mono)
• Master group style pair (post-fader,
pan stereo)
• Master SIS style (contribution is taken
post-pan and image SIS)
From inputs and
auxes to master
outputs (master area)
Solo • PFL stereo (or spread centre-panned
mono)
• AFL stereo (or spread centre-panned
mono)
• Optional 5:1
From anywhere to the
monitor outputs
(master area)

Midas PRO SERIES Specifications

General

Series	PRO SERIES
Sample Rate	96 kHz
Word Clock	Yes
Type	Digital Mixing Console
Mix Buses	Up to 24
Connectivity	AES50
Control Surface	Motorized Faders
EQ Bands	4-band Parametric EQ per channel
Effects	Multiple internal effects engines
Frequency Response	20 Hz - 20 kHz
Processing	40-bit floating point