20 Chapter 2: PRO Series Live Audio Systems
PRO Series Live Audio Systems
Owner’s Manual
Processing
Although the control centre system allows for considerable insertion of external
processing, it also embodies more than enough internal high quality processing to
eliminate the need for this, in the interests of simplicity and reduced overall system
size, weight and cost.
Processing components
The processing available is:
• Up to 80 x 12 or 24dB/oct. high pass filters.
• Up to 80 x 6 or 12dB/oct. low pass filters.
• 115 compressor/limiters with side chain filtering and multiple operating “signatures”.
• Up to 80 gates with side chain filtering.
• Up to 80 x 4-band parametric EQs with multiple shelf “modes”.
• Up to 35 x 6-band parametric EQs with hi/lo pass modes.
• 8 assignable 31-band graphic EQs.
• Up to 36 additional 31-band graphic EQs that utilise effects processor digital signal
processing (DSP), reducing the available effects quantity stated below.
• Up to 8 effects processors selectable from reverb, delay, flanger, phaser, dynamics,
compressor and pitch shifter.
Input channel processing
Each of the 80 (maximum) full-function input channels has:
• Analogue and digital gain.
• Phase reverse switch.
• Input delay.
• Swept high pass filter with choice of two filter slopes.
• Swept low pass filter with choice of two filter slopes.
• Frequency-conscious compressor with choice of four compression styles.
• Frequency-conscious noise gate with external side chain.
• Insert point.
• Treble EQ filter with choice of four filter types.
• Parametric hi-mid EQ filter.
• Parametric lo-mid EQ filter.
• Bass EQ filter with choice of four filter types.
• Routing via level controls to 32 mix buses.
• Routing via pan control to left and right master buses.
• Routing to mono master bus.
•Panpot (SIS™).
• Direct output.
Each of the eight auxiliary inputs has:
• Input gain.
• Source from internal FX or external input.
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