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Moog One User Manual

Moog One
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71
MODULATION (Continued)
CONTROLLER
TOP ROW: Controller
BOTTOM ROW: Controller Value: -100 to 0 to +100%
The modulation source can be applied directly to the modulation destination, or the amount of
modulation can be articulated using an assignable controller such as Aftertouch. The amount of
modulation can also be attenuated by using another mod source as a controller, such as an LFO or
EG. Use the Controller Soft Knob to select a controller, or simply select NONE. Controller Amount
determines how strongly the Controller affects the amount of modulation. When the Controller
Amount is set to 0, the value of the selected controller has no effect on the modulation strength. If the
Controller Amount is positive, then high Controller values create stronger modulation effects while
low Controller values reduce the amount of modulation. If the Controller Amount is negative, then the
effect of the Controller is reversed (a low Controller value allows more modulation to come through,
while increasing the Controller value attenuates the strength of modulation). If no Source is selected
but a Controller is assigned, then the Controller behaves like a Source and the Controller Amount
behaves as described above for the Source Amount.
TRANSFORM
Placing a Transform in the modulation path offers a number of ways to manipulate the value of the
modulation signal as it travels from the source to the destination. The Transform is selected using the
top parameter row; the value is entered using the bottom row parameters.
NONE
This is the default setting; no transform has been applied to the modulation path.
LIMIT LOW (0 to 100%)
This Transform articially sets a lower limit on the value of the control signal. Values above
this low limit are played normally. Values below the low limit will be output using the value of
the low limit setting.
LIMIT HIGH (0 to 100%)
This Transform articially sets an upper limit on the value of the control signal. Values below
this high limit are played normally. Values above the high limit will be output using the value of
the high limit setting.
SQUARED (FIXED)
The value of the Transform output is equal to the input value multiplied by itself, or squared.
CUBED (FIXED)
The value of the Transform output is equal to the input value multiplied by itself twice, or cubed.
DESTINATION
TOP ROW: Destination Module Name
BOTTOM ROW: Destination Parameter Name
The Destination species the parameter that will ultimately be controlled by this modulation path. The
list of modulation destinations is extensive. To make it easier to select a destination quickly, the top
row parameter will select the Moog One Module, the bottom row parameter will choose the destination
parameter from within that module.
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Moog One Specifications

General IconGeneral
Keyboard61-note Fatar TP-8S with velocity and aftertouch
ArpeggiatorYes
Polyphony8 or 16 voices
Oscillators3 per voice
LFOs4 per voice
Envelopes3 per voice
SequencerYes
ConnectivityMIDI In/Out/Thru, USB, CV/Gate
Weight45 pounds (20.4 kg)
Filter2 filters per voice: a state-variable filter and a Moog ladder filter

Summary

Unpacking and Inspection

Setup and Connections

Instructions for powering the instrument and connecting it to an audio monitoring system.

Connecting the Power Supply

Details on how to connect the power adapter and supply to the instrument.

Audio Monitoring

Guidance on connecting audio outputs to speakers or headphones for monitoring.

Moog One Overview

Piloting Moog One

Front Panel

Overview of the instrument's primary interface with immediate parameter access.

Left and Right Panel Controls

Details dedicated hardware knobs and buttons grouped by module type.

Keyboard

Left Hand Controller

Features enhancing playability and expression, including wheels and touchpad.

Oscillators

Mixer

Filters

State Variable Filter (SVF)

Details the SVF's construction and modes like Notch, Bandpass, High Pass, Low Pass.

Envelopes

Low Frequency Oscillators

VCA and Output

VCA Section

Voltage Controlled Amplifier parameters: Level and Pan.

Performance Set

Assigning Presets to Performance Sets

Steps to assign the current preset to a location in the active Performance Set.

Master Clock

Voice Allocation

Chord Function

Allows stacking multiple notes to create chords or custom interval patterns.

Modulation

Hard-Wired Modulation

Provides immediate control for common modulation pathways via dedicated hardware.

Hard-Wired Oscillator Common Modulation Parameters

Controls pitch and waveform modulation applied equally to all oscillators.

Modulation Matrix

Editing or Creating a New Modulation Path

Guides on selecting slots, sources, destinations, and parameters for modulation.

Arpeggiator

Sequencer

Effects

Understanding Synth Effects

Details on applying individual effects per synth and their controls.

Synth Effect Structure

Explains how synth effects are classified, loaded, and saved.

Master Effects

Understanding Master Effects

Describes master effects available to all synths, including Eventide effects.

Left Hand Controller Functions

The Browser

Using the Browser

Loading a Preset

Procedure for searching and loading presets based on criteria and tags.

Loading a Timbre

Instructions for loading individual synth timbres into the active synth.

Editing and Saving

Compare Function

Compares current edits to the original saved version without reloading.

Snapshot Feature

Enables micro-saves of current preset edits for easy rollback.

Settings

Hardware Settings

CV Inputs

Sustain Pedal Input

Determines how the instrument reacts to sustain and sostenuto pedals.

Utilities

Restore Default Settings

Resets all settings to factory defaults without affecting presets.

Update Firmware

Instructions for updating the instrument's firmware via USB.

Library Management

Exporting Data

Selectively copy data (Presets, Sequences, etc.) to an external USB drive.

Importing Data

Selectively load data (Presets, Sequences, etc.) from a USB drive.

Specifications

Service and Support Information

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