Roland juno-ds61 - MFX;Chorus;Reverb Parameters; Chorus and Space Effects; 3 D Chorus and Flanger Effects

47
MFX/Chorus/Reverb Parameters
27: TREMOLO CHORUS
This is a chorus eect with added Tremolo (cyclic modulation of volume).
Tremolo Chorus
L in
R in
L out
R out
Balance D
Balance D
Balance W
Balance W
Parameter Value Explanation
Pre Delay 0.0–100[msec]
Adjusts the delay time from the direct sound
until the chorus sound is heard.
Chorus Rate # 0.05–10.00[Hz], note Modulation frequency of the chorus eect
Chorus Depth 0–127 Modulation depth of the chorus eect
Tremolo Rate # 0.05–10.00[Hz], note Modulation frequency of the tremolo eect
Tremolo Separation 0–127 Spread of the tremolo eect
Tremolo Phase 0–180[deg] Spread of the tremolo eect
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the tremolo chorus sound (W)
Level 0–127 Output level
28: SPACE-D
This is a multiple chorus that applies two-phase modulation in stereo.
It gives no impression of modulation, but produces a transparent chorus eect.
L in
R in
Space D
Space D
L out
R out
2-Band
EQ
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
Parameter Value Explanation
Pre Delay 0.0–100[msec]
Adjusts the delay time from the direct sound
until the chorus sound is heard.
Rate # 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180[deg] Spatial spread of the sound
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the chorus sound (W)
Level 0–127 Output level
29: 3D CHORUS
This applies a 3D eect to the chorus sound. The chorus sound will be positioned 90
degrees left and 90 degrees right.
L
R
3D Chorus
2-Band
EQ
2-Band
EQ
R out
L out
Parameter Value Explanation
Filter Type
Type of lter
OFF No lter is used
LPF Cuts the frequency range above the Cuto Freq
HPF Cuts the frequency range below the Cuto Freq
Cuto Freq 200–8000[Hz]
Center frequency when using the lter to cut a
specic frequency range
Pre Delay 0.0–100[msec]
Adjusts the delay time from the direct sound
until the chorus sound is heard.
Rate # 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Modulation depth of the chorus eect
Phase 0–180[deg] Spatial spread of the sound
Output Mode
The optimal 3D eect will be achieved.
SPEAKER When using speakers
PHONES When using headphones
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the chorus sound (W)
Level 0–127 Output level
30: 3D FLANGER
This applies a 3D eect to the anger sound. The anger sound will be positioned
90 degrees left and 90 degrees right.
L
R
3D Flanger
2-Band
EQ
2-Band
EQ
R out
L out
Parameter Value Explanation
Filter Type
Type of lter
OFF No lter is used
LPF Cuts the frequency range above the Cuto Freq
HPF Cuts the frequency range below the Cuto Freq
Cuto Freq 200–8000[Hz]
Center frequency when using the lter to cut a
specic frequency range
Pre Delay 0.0–100[msec]
Adjusts the delay time from when the direct
sound begins until the anger sound is heard.
Rate # 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180[deg] Spatial spread of the sound
Feedback # -98–+98[%]
Adjusts the proportion of the anger sound that
is fed back into the eect.
Negative (-) settings will invert the phase.
Output Mode
The optimal 3D eect will be achieved.
SPEAKER When using speakers
PHONES When using headphones
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the anger sound (W)
Level 0–127 Output level
31: 3D STEP FLANGER
This applies a 3D eect to the step anger sound. The anger sound will be
positioned 90 degrees left and 90 degrees right.
L
R
3D Step Flanger
2-Band
EQ
2-Band
EQ
R out
L out
Parameter Value Explanation
Filter Type
Type of lter
OFF No lter is used
LPF Cuts the frequency range above the Cuto Freq
HPF Cuts the frequency range below the Cuto Freq
Cuto Freq 200–8000[Hz]
Center frequency when using the lter to cut a
specic frequency range
Pre Delay 0.0–100[msec]
Adjusts the delay time from when the direct
sound begins until the anger sound is heard.
Rate # 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180[deg] Spatial spread of the sound
Feedback # -98–+98[%]
Adjusts the proportion of the anger sound that
is fed back into the eect.
Negative (-) settings will invert the phase.
Step Rate # 0.10–20.00[Hz], note Rate (period) of pitch change
Output Mode
The optimal 3D eect will be achieved.
SPEAKER When using speakers
PHONES When using headphones
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the anger sound (W)
Level 0–127 Output level
3
3
3
3
3