Roland juno-ds61 - MFX;Chorus;Reverb Parameters; Guitar Amp and Compressor Effects; Limiter Effect

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MFX/Chorus/Reverb Parameters
37: VS OVERDRIVE
This is an overdrive that provides heavy distortion.
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Overdrive
Parameter Value Explanation
Drive #
0–127
Degree of distortion
Also changes the volume.
Tone #
0–127 Sound quality of the Overdrive eect
Amp Sw
OFF, ON Turns the Amp Simulator on/o.
Amp Type
Type of guitar amp
SMALL Small amp
BUILT-IN Single-unit type amp
2-STACK Large double stack amp
3-STACK Large triple stack amp
Low Gain
-15–+15[dB] Gain of the low range
High Gain
-15–+15[dB] Gain of the high range
Pan #
L64–63R Stereo location of the output sound
Level
0–127 Output level
38: VS DISTORTION
This is a distortion eect that provides heavy distortion. The parameters are the
same as for “37: VS OVERDRIVE.”
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Distortion
39: GUITAR AMP SIM
This is an eect that simulates the sound of a guitar amplier.
L in
R in
L out
R out
Pan R
Pan L
Pre Amp
Speaker
Parameter Value Explanation
Pre Amp Sw OFF, ON Turns the amp switch on/o.
Pre Amp Type
JC-120,
CLEAN TWIN,
MATCH DRIVE,
BG LEAD, MS1959I,
MS1959II,
MS1959I+II,
SLDN LEAD,
METAL 5150, METAL
LEAD,
OD-1, OD-2 TURBO,
DISTORTION, FUZZ
Type of guitar amp
Pre Amp Volume # 0–127 Volume and amount of distortion of the amp
Pre Amp Master # 0–127 Volume of the entire pre-amp
Pre Amp Gain LOW, MIDDLE, HIGH Amount of pre-amp distortion
Pre Amp Bass
0–127
Tone of the bass/mid/treble frequency range
Middle cannot be set if “MATCH DRIVE” is selected
as the Pre Amp Type.
Pre Amp Middle
Pre Amp Treble
Pre Amp Presence 0–127 Tone for the ultra-high frequency range
Pre Amp Bright OFF, ON
Turning this “On” produces a sharper and brighter
sound.
This parameter applies to the “JC-120,” “CLEAN
TWIN,” and “BG LEAD” Pre Amp Types.
Speaker Sw OFF, ON
Determines whether the signal passes through
the speaker (ON), or not (OFF).
Speaker Type
(See the
following table)
Type of speaker
Mic Setting 1–3
Adjusts the location of the microphone that’s
capturing the sound of the speaker.
This can be adjusted in three steps, from 1 to 3,
with the microphone becoming more distant as
the value increases.
Mic Level 0–127 Volume of the microphone
Direct Level 0–127 Volume of the direct sound
Pan # L64–63R Stereo location of the output sound
Level # 0–127 Output level
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the
number of units.
Type Cabinet Speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out uctuations in
volume.
L in
R in
L out
R out
Compressor
2-Band EQ
2-Band EQ
Compressor
Parameter Value Explanation
Attack # 0–127
Sets the time from when the input exceeds
the Threshold until the volume starts being
compressed
Threshold # 0–127 Adjusts the volume at which compression begins
Post Gain 0–+18[dB] Adjusts the output gain.
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Level # 0–127 Output level
41: LIMITER
Compresses signals that exceed a specied volume level, preventing distortion from
occurring.
L in
R in
L out
R out
Limiter
2-Band EQ
2-Band EQ
Limiter
Parameter Value Explanation
Release # 0–127
Adjusts the time after the signal volume falls
below the Threshold Level until compression is no
longer applied.
Threshold # 0–127 Adjusts the volume at which compression begins
Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio
Post Gain 0–+18[dB] Adjusts the output gain.
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Level # 0–127 Output level
3
3
3
3