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Creating a Patch
MATRIX CTRL (Patch Matrix Control)
This selects the parameters to be controlled by Matrix Control Source 1–4 and the Sens settings, as well as
the specific Tones whose parameters you wish to control. Up to four destination parameters can be
selected for each controller and controlled simultaneously.
* Parameters that can be set independently for each Tone are indicated by “#.”
PATCH CONTROL SWITCH
These settings determine each Tone’s response to received Pitch Bend, Expression, Pan, Hold1, Damper,
and Envelope Mode MIDI messages.
* Parameters that can be set independently for each Tone are indicated by “#.”
Parameter Value Description
SOURCE1–4
(Matrix Control
Source1–4)
OFF, CC01–31, CC33–95, BEND, AF-
TER, SYS1–4, VELOCITY,
KEYFOLLOW, TEMPO, LFO1, LFO2,
PIT-ENV, TVF-ENV, TVA-ENV
Assign one of the following controllers to Control Source 1–4. If you wish
to use a controller that will apply to all Patches, or a controller that cannot
be directly selected here, select SYS-CTRL1–4, and then select the control-
ler using the Control Source 1–4 parameters (SYSTEM COMMON).
DESTINATION1–4
(Matrix Control
Destination 1–4)
OFF, PITCH, CUTOFF, RESONANCE
LEV,EL PAN, DRY LEVEL, CHORUS
SEND, REVERB SEND, LFO1/2 PCH
DEPTH, LFO1/2 TVF DEPTH, LFO1/
2 TVA DEPTH, LFO1 PAN DEPTH,
LFO1/2 RATE, PCH ENV A/D/R-
TIME, TVF ENV A/D/R-TIME, TVA
ENV A/D/R-TIME, TMT, FXM
DEPTH, MFX-CTRL1/4
Selects a parameter to be controlled.
SENS1–4
(Matrix Control
Sens 1–4)
-63–+63 Adjusts the amount of change that occurs in response to controller chang-
es. Negative (-) values invert the change. For LFO rates, negative (-) values
slow down the LFO, and positive (+) values speed it up.
TONE1–4#
(Matrix Control
Tone Control
Switch 1–4)
OFF, ON, REV Selects the Tone to which the two previous parameter settings are ap-
plied. “ON” turns signifies that the Tone is selected for control, “OFF”
that it’s not selected, and “REV (REVERSE)” that the change being ap-
plied is inverted when applied to this Tone.
Parameter Value Description
RCV BENDER#
(Tone Receive Bender Switch)
OFF, ON If you want the Tone to respond to Pitch Bend messages, turn this parameter
on. If not, turn it off.
RCV EXP#
(Tone Receive Expression Switch)
OFF, ON If you want the Tone to respond to Expression messages, turn this on. If not,
turn it off.
RCV HOLD-1#
(Tone Receive Hold 1 Switch)
OFF, ON Set this to ON if you wish the tone to respond to Hold1 messages—these mes-
sages cause sounds to continue playing when a sustain/damper pedal is
pressed. Set this to OFF when you don’t want the Tone to respond to Hold1
messages.
REDAMPER#
(Tone Redamper Switch)
OFF, ON If a Hold 1 message is received during the time between a note-off—when you
release the key—and the time at which the note actually disappears, any cur-
rently sounding notes will be sustained if Redamper is set to ON. To take ad-
vantage of this feature, you must also turn on the Tone Receive Hold 1 setting.
RCV PAN MODE#
(Tone Receive Pan Mode)
CONTINUOUS,
KEY-ON
CONTINUOUS: Pan messages are responded to immediately, instantly
changing the stereo position of the Tone.
KEY-ON: The stereo location of the Tone is changed only when the next note
is played. If a Pan message is received while a note is sounding, its stereo lo-
cation will not change.
ENV MODE#
(Tone Envelope Mode)
NO-SUS, SUSTAIN When a loop-type waveform is selected, it normally continues to sound as
long as a key is pressed. If you want a note to decay naturally even when the
key remains pressed, set this to “NO-SUS.”
* If a one-shot type Wave is selected, it will not sustain even if this parameter is set
to “SUSTAIN.”
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