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WARNING!
Like all pedals of this type, OCTAVE only works
with single notes...chords confuse the heck out
of it! NOT a fault — that’s just the way these
pedals operate.
7. RING MODULATOR (RING MOD)
A ring modulator is an effect that uses an oscilla-
tor to generate a sine wave which is then multi-
plied with the signal from your guitar to produce
harmonics above and below the frequencies orig-
inally produced by your guitar. This creates com-
plex and unpredictable pitches. A filter is built into
the output of this effect to let you extract just the
lower frequencies if desired, and this can gener-
ate low sounds that could not otherwise be pro-
duced by a guitar.
If you assign the MANUAL parameter to the
expression pedal, you’ll be able to control the
sound in unique ways while you perform.
[1] "DIRECT"............................................0.0...10.0
* Adjusts the amount of original sound that is
mixed in.
[2] "EFFECT"...........................................0.0...10.0
* Adjusts the effect volume.
[3] "FILTER".............................................1.0...10.0
* Adjusts the filter cutoff frequency.
[4] "MANUAL" ..........................................0.0...10.0
* Adjusts the oscillator frequency.
8. TREBLE BOOST (TREB BST)
This pedal effect is modelled after a built-in tre-
ble booster that was designed with the VOX
VBM-1 specifically in mind. It is a great way of
adding “teeth” to an overdriven sound.
9. TUBE OD
This model is based on an overdrive pedal that’s
housed in a garish, “seasick green” box and is con-
sidered an all-time classic due to the wonderfully
warm tones it produces.
10. SUPER OD
This models a yellow overdrive pedal manufac-
tured in Japan, and is popular as a booster.
11. BOUTIQUE
This models an overdrive unit named after a half-
human half-horse creature appearing in Greek
fables. When the gain is lowered, you can use this
as a booster that does not impair the original tonal
character of your guitar. Raising the gain lets you
use this as an overdrive that delivers a rich mid-
range. The 12 o’clock position is the standard set-
ting for tone, but feel free to adjust this aggressively.
12. FAT DIST
Based on a pedal named after one of the most
disliked rodents to ever walk the planet! The
result is a smooth distortion rich in harmon-
ics...nasty but nice.
13. ORANGE DIST (OR DIST)
This models a classic distortion unit manufac-
tured in Japan and packaged in an orange box.
[1] "DRIVE" .............................................1.0...10.0
* Adjusts the amount of distortion (boost).
[2] "LEVEL" ............................................. 0.0...10.0
* Adjusts the output level.
[3] "TONE"............................................... 1.0...10.0
* Adjusts the tone.
14. METAL DIST (MTL DIST)
This distortion model is perfect for the “metal
head” in you!
[1] "DRIVE" .............................................1.0...10.0
* Adjusts the amount of distortion.
[2] "LEVEL" ............................................. 0.0...10.0
* Adjusts the output level.
[3] "TREBLE" ..........................................0.0...10.0
* Adjusts the high-range volume level.
[4] "MIDDLE"........................................... 0.0...10.0
* Adjusts the mid-range volume level.
[5] "BASS"............................................... 0.0...10.0
* Adjusts the low-range volume level.
15. FUZZ
Retro, rude “n” raw...get the picture!? The name
says it all.
16. OCTAFUZZ
This models a legendary fuzz unit that adds a
pitch one octave above the original. To get the
best results, be sure to use your front pickup.
[1] "DRIVE" .............................................1.0...10.0
* Adjusts the amount of distortion (boost).
[2] "LEVEL" ............................................. 0.0...10.0
* Adjusts the output level.
[3] "TONE"............................................... 1.0...10.0
* Adjusts the tone.
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