Yamaha 02R96 User Manual

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E

DIGITAL MIXING CONSOLE

Owner’s ManualOwner’s Manual

Owner’s Manual

Keep This Manual For Future Reference.

Table of Contents

Default Chapter3
- Important Information3
- Package Contents5
- Yamaha Web Site5
- Conventions Used in this Manual6
- New Functions in 02R96 Version 26
- New Functions in 02R96 Version 27
- Table of Contents9
Welcome16
Control Surface & Rear Panel19
- Control Surface19
- Rear Panel37
Operating Basics43
- Connecting the Power Cord43
- Turning on & off the 02R9643
- About the Display44
- Selecting Display Pages45
- Display Parameter Boxes45
- Parameter Windows46
- Confirmation Messages46
- Title Edit Window46
- Selecting Layers47
- Selecting Channels48
- Selecting Fader Modes49
- Selecting Encoder Modes50
- Assigning Parameters to the ENCODER MODE Assign Buttons51
Analog I/O & the AD Input Section53
- AD Input Section53
- Stereo out54
- Control Room Monitor out54
- Studio Monitor out54
- Omni Outs54
- 2TR Analog ins54
Digital I/O & Cascading55
- Wordclocks55
- Selecting the Wordclock Source56
- 2TR Digital Outs57
- 2TR Digital ins58
- 2TR in Sampling Rate Conversion58
- Slot I/O59
- Setting the Transfer Format for Higher Sampling Rates61
- Dithering Digital Outputs62
- Monitoring Digital Input Channel Status62
- Cascading Consoles63
Input & Output Patching66
- Input Patching66
- Output Patching68
- Patching Direct Outs70
- Naming Input & Output Ports71
- Patch Select Window71
- Patching with the Encoders72
Input Channels73
- Patching Input Channels73
- Metering Input Channels73
- Reversing the Signal Phase73
- Gating Input Channels74
- Attenuating Input Channels75
- Eq'ing Input Channels75
- Grouping Input Channel Eqs76
- Input Channel Inserts76
- Compressing Input Channels76
- Grouping Input Channel Compressors77
- Delaying Input Channels77
- Muting Input Channels (ON/OFF)77
- Grouping Input Channel Mutes (ON/OFF)78
- Input Channel Mute Master79
- Setting Input Channel Levels79
- Grouping Input Channel Faders79
- Group Master for Input Channel Faders80
- Routing Input Channels82
- Panning Input Channels83
- Using Surround Pan85
- Assigning Surround Channels to Buses87
- Sending Input Channels to Aux Sends90
- Soloing Input Channels90
- Direct Outs90
- Pairing Input Channels90
- Viewing Input Channel Settings90
- Naming Input Channels90
- Using the MS Stereo Microphone91
Stereo out92
- Stereo out Connectors92
- Patching the Stereo out to Outputs92
- Routing Input Channels to the Stereo out92
- Sending Bus Outs to the Stereo out92
- Metering the Stereo out92
- Monitoring the Stereo out92
- Attenuating the Stereo out92
- Eq'ing the Stereo out92
- Grouping Master Eqs92
- Stereo out Inserts93
- Compressing the Stereo out93
- Grouping Master Compressors93
- Muting the Stereo out (ON/OFF)93
- Grouping Master Mutes (ON/OFF)93
- Setting the Stereo out Level93
- Grouping Master Faders93
- Balancing the Stereo out94
- Delaying the Stereo out94
- Viewing Stereo out Settings94
- Naming the Stereo out94
Bus Outs95
- Patching Bus Outs to Outputs95
- Routing Input Channels to Bus Outs95
- Metering Bus Outs95
- Monitoring Bus Outs95
- Attenuating Bus Outs95
- Eq'ing Bus Outs95
- Grouping Master Eqs95
- Bus out Inserts95
- Compressing Bus Outs95
- Muting Bus Outs (ON/OFF)96
- Grouping Master Mutes (ON/OFF)96
- Setting Bus out Levels96
- Grouping Master Faders96
- Delaying Bus Outs96
- Soloing Bus Outs96
- Pairing Bus Outs96
- Sending Bus Outs to the Stereo out97
- Viewing Bus out Settings97
- Naming Bus Outs97
10 Aux Sends98
- Patching Aux Send Masters to Outputs98
- Setting the Aux Send Mode98
- Pre-Fader or Post-Fader Aux Sends98
- Setting Aux Send Levels99
- Aux Send Pages99
- Viewing Aux Send Settings101
- Panning Aux Sends103
- Excluding Certain Channels from Aux Sends (MIX Minus)104
- Copying Channel Fader Positions to Aux Sends104
- Metering Aux Send Masters105
- Monitoring Aux Send Masters105
- Attenuating Aux Send Masters105
- Eq'ing Aux Send Masters105
- Grouping Master Eqs105
- Aux Send Master Inserts105
- Compressing Aux Send Masters105
- Grouping Master Compressors105
- Muting Aux Send Masters (ON/OFF)105
- Grouping Master Mutes (ON/OFF)106
- Settings Aux Send Master Levels106
- Grouping Master Faders106
- Delaying Aux Send Masters106
- Soloing Aux Sends106
- Pairing Aux Sends106
- Viewing Aux Send Master Settings106
- Naming Aux Send Masters106
11 Common Channel Functions107
- Metering107
- Attenuating Signals110
- Using EQ111
- Grouping Output Channel Eqs114
- Using Inserts115
- Compressing Channels116
- Grouping Output Channel Compressors119
- Delaying Channel Signals120
- Soloing Channels121
- Pairing Channels123
- Grouping Output Channel Faders126
- Group Master for the Output Channel Faders127
- Grouping Output Channel Mutes (ON/OFF)128
- Output Channel Mute Master129
- Viewing Channel Parameter Settings129
- Viewing Channel Fader Settings130
- Naming Channels134
- Output Channels135
12 Monitoring & Talkback136
- Control Room Monitoring136
- Studio Monitoring137
- Surround Monitoring138
- Using Talkback142
13 Libraries143
- About the Libraries143
- General Library Operation143
- Channel Library144
- Input Patch Library145
- Output Patch Library145
- Effects Library146
- Bus to Stereo Library147
- Gate Library148
- Comp Library149
- EQ Library150
- Automix Library151
- Surround Monitor Library152
14 Internal Effects & Plug-Ins153
- About the Effects153
- Patching Effects Processors153
- Preset Effects & Types153
- Dynamic Effects154
- Editing Effects156
- Adding Optional Add-On Effects157
- About Plug-Ins158
- Configuring Plug-Ins159
- Editing Plug-Ins160
15 Scene Memories162
- About Scene Memories162
- Auto Scene Memory Update163
- Storing & Recalling Scenes with the SCENE MEMORY Buttons164
- Using the Scene Memory Page165
- Fading Scenes166
- Recalling Scenes Safely167
- Sorting Scenes168
- Copying and Pasting a Scene (Global Paste)168
16 Automix170
- About Automix170
- What's Recorded in an Automix170
- Automix Main Page171
- Channel Strip [AUTO] Buttons174
- Automix Memory Page175
- Fader Edit Pages175
- Selecting the Timecode Source & Frame Rate177
- Creating a Time Signature Map178
- Recording an Automix179
- Inserting MIX Parameters into Automix180
- Rerecording Events181
- Parameter Recording182
- Punching in & out Individual Parameters183
- Playing Back an Automix184
- Editing Events Offline185
- Event Edit Page188
17 MIDI190
- MIDI & the 02R96190
- MIDI I/O190
- MIDI Port Setup191
- MIDI Channel Setup192
- Assigning Scenes to Program Changes193
- Assigning Parameters to Control Changes194
- Controlling Parameters by Using Parameter Changes194
- Using Bulk Dump195
18 Pro Tools Remote Layer196
- Configuring Windows Computers196
- Configuring Macintosh Computers (Macos 8.6 to 9.2.2)196
- Configuring Macintosh Computer (Macos X)196
- Configuring the 02R96197
- Configuring Pro Tools197
- Control Surface Operation with the Pro Tools Remote Layer199
  - Fader Mode Section202
  - Data Entry Section208
  - Parameter Wheel208
  - Cursor Buttons208
- Selecting Channels209
- Setting Channel Levels209
- Muting Channels209
- Panning Channels209
- Soloing Channels210
- Viewing Send Destinations210
- Configuring Sends as Pre or Post210
- Setting Send Levels210
- Muting Sends210
- Panning Sends210
- Flip Mode211
- Assigning Inserts/Plug-Ins212
- Editing Plug-Ins213
- Bypassing Plug-Ins214
- Resetting Faders, Sends, & Panpots214
- Navigating the Edit Window214
- Zooming215
- Making Fine Adjustments to the Selected Region215
- Scrub & Shuttle215
- Automation216
- Panner217
19 Remote Control219
- About the Remote Layer219
- About Machine Control222
- GPI (General Purpose Interface)225
20 Other Functions228
- Using the User Assignable Layers228
- Using the User Defined Keys229
- Setting Preferences230
- Using the Oscillator234
- Operation Lock235
- Checking the Battery and the System Version237
- Initializing the 02R96237
- Initializing the Password237
Appendix A: Parameter Lists238
- User Defined Keys238
- USER DEFINED KEYS Initial Assignments240
- Input Patch Parameters241
- Initial Input Patch Settings244
- Output Patch Parameters245
- Initial Output Patch Settings249
- Initial Input Channel Names250
- Initial Output Channel Names250
- Initial Input Port Names251
- Initial Output Port Names252
- GPI Trigger Source & Target List253
- User Defined Remote Layer Initial Bank Settings255
- Effects Parameters259
  - Mono Delay260
  - Stereo Delay260
  - Ring Mod266
  - Auto Pan277
- Effects and Tempo Synchronization281
- Preset EQ Parameters282
- Preset Gate Parameters283
- (Fs = 44.1 Khz)283
- Preset Compressor Parameters (Fs = 44.1 Khz)284
- Dynamics Parameters286
- Comp Section288
Appendix B: Specifications291
- General Spec291
- Libraries296
- Analog Input Spec297
- Analog Output Spec297
- Digital Input Spec298
- Digital Output Spec298
- I/O Slot Spec (1-4)299
- Control I/O Spec299
- Connector Pin Assignments300
- Dimensions301
Appendix C: MIDI302
- Scene Memory to Program Change Table302
- Initial Parameter to Control Change Table303
- MIDI Data Format319
- Format Details319
Appendix D: Options335
- MB02R96 Peak Meter Bridge335
- SP02R96 Wooden Side Panels337
Index338
- Gate and Compressor340
- MIDI Implementation Chart348

Other manuals for Yamaha 02R96

Software Installation Guide13 pages

Installation Guide22 pages

Supplementary Guide8 pages

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Yamaha 02R96 Specifications

General

Sampling Rate	44.1kHz, 48kHz, 88.2kHz, 96kHz
Bit Depth	24-bit
Built-in Effects	Yes
EQ Bands	4-band Parametric
Aux Sends	8
Automation	Yes
Control Surface	Yes
Type	Digital
I/O Expansion Slots	4
MIDI	Yes
Outputs - Digital	AES/EBU
Internal Processing	32-bit
Dynamic Processing	Gate, Compressor, Limiter
Digital I/O	AES/EBU
Analog I/O	XLR, TRS
Word Clock	Yes

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