ASM Polytouch HYDRASYNTH EXPLORER - Modulation Destinations

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Velocity Velo On (Note On velocity), Velo O (Note O velocity)
Wheel PitchWhl (Pitch wheel), ModWhl (Modulation wheel)
Ribbon [2] RbnAbs (Ribbon Absolute bipolar), RbnAbs+ (Ribbon Absolute unipolar), RbnRel
(Ribbon Relative)
Pedal ExpPedal (Expression pedal), SusPedal (Sustain pedal)
MPE MPE-X (pitch bend), MPE-Yabs (CC# 74 in some devices [absolute mode]),
MPE-Yrel (CC# 74 in some devices [relative mode])
MIDI CC [000-127]
[1] An LFO is normally a bipolar source. A plus sign [+] indicates a unipolar source derived from
that LFO.
[2] The Hydrasynth Explorer doesn’t have a ribbon controller, but it will respond appropriately
to another Hydrasynth model that does!
Modulation Destinations
These are the potential mod destinations in the Hydrasynth Explorer. A few may need
explanation; see below the chart.
Group Parameters
Arp Mode, Division, Swing, Gate, Octave,
OctMode, Length, Phrase, Ratchet, Chance
Osc 1–2
Osc 3
All Osc [1]
Pitch (+12/-12 semitones), Wave, WaveScan
Pitch (+12/-12 semitones), Wave
Pitch (+12/-12 semitones)
Mutator 1–4 Ratio, Depth, Window, Feedback, Dry/Wet, Warp [1-8]
Ring Mod Depth
Mixer Osc1Vol, Osc2Vol, Osc3Vol, RingVol, NoiseVol, Osc1Pan, Osc2Pan, Osc3Pan,
RingPan, NoisePan, Osc1F1/2, Osc2F1/2, Osc3F1/2, RingF1/2, NoisF1/2
Filter 1
Filter 2
Cuto, Resonance, Drive, Control, ENV1amt, LFO1amt, Keytrack
Morph, Cuto, Resonance, ENV1amt, LFO1amt, Keytrack
Amp LFO2Amt, Level
Pre-FX
Delay
Reverb
Post-FX
Param1, Param2, Dry/Wet
Time, Feedback, Wet Tone, FeedTone, Dry/Wet
Time, Tone, HiDamp, LoDamp, Dry/Wet
Param1, Param2, Dry/Wet
Env 1–5 Attack, Hold, Decay, Sustain, Release
LFO 1–5 Rate, Level
ModMtrx [2] Depth [1-32]
Macro Macro 1– Macro 8
Voice Detune, AnalogFL, PitchBnd, Vib Amt, Vib Rate, GlidTime
CV ModOut 1, ModOut 2
MIDI [3] CC [000-127]
[1] All Osc: A mod route can be applied to all three oscillators simultaneously.
[2] ModMtrx: A source can modulate the depth of any mod route. “Depth 1” targets
mod route 1, etc.
[3] MIDI CC #: Incoming MIDI data can modulate certain parameters, and they can return
the favor.