🠚 SAMPLERATE REDUCER
FW V3.0
a.k.a. DOWNSAMPLING:
set by holding ROUTING while turning RESONANCE knob – lowers the SAMPLE
RATE amount output of the FILTER chain: from full 96 kHz at CCW and crushing to
a certain moment until the audio falls apart to noisy clicks and buzzes. Default value
at CCW (clean signal).
SPATIAL EFFECTS
FX
This chain of audio effects (a.k.a. FX ) consists of a delay, which then routed into the
reverb with mid/side widener at the end.
🠚 DELAY: stereo delay with 1v/oct tracking, capable of Karplus-Strong
synthesis. The delay can be synchronized externally via CLOCK IN (18), or by using
the onboard TAP TEMPO BUTTON (17), with maximum delay time of 2,5 seconds.
Three configurations of delay taps are available, toggled between by holding the
ROUTING button and short pressing the TAP button. Delay tap configurations are
LRLR, LRRL, and STEREO mode – also known as true stereo, where taps will
appear at OUT 1 or OUT 2 only if something is present at IN 1 or IN 2 respectively.
🠚 REVERB: lush stereo hall reverb with additional controls and configurations
such as tail decay adjustment, pre-delay adjustment, reverse reverb and audio
freezing.
🠚 MID/SIDE widener stays after the reverb and increases the stereo field
simultaneously with the amount of TAIL reverb knob (21). This feature is best audible
on true stereo signals processed with the GHOST.
Both delay and reverb have advanced secondary parameters and modes that can
be accessed by pressing the ROUTING button (16) in combination with either a
knob or another button. These controls are internal and do not have CV control;
they are designed as ‘set and forget’ controls to fine-tune your sound.
ADVANCED DELAY PARAMETERS
🠚 ROUTING + REPEATS KNOB: controls the TILT EQ that adjusts the
/ TONE brightness of repetitions: from sparkling, clean to dub delays. That TONE*
range (12) for repeats is identical to TONE input shaping control (3).
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