maintain its amplitude. Firmware v2.0 addition: secondary function in
combination with ROUTING /* button controls the GLOBAL DRY/WET MIX
between the clean input signal after the IN GAIN (pre-VCA) at full CCW and
the final processed audio chain output before the Volume knob (before
post-VCA) at full CW.
35. POST-VCA CV INPUT JACK: 0…+5V external CV input for the final
volume level (34). Normalled to +5V when no patch cable is inserted.
36. OUT 1 , OUT 2 JACKS: final stereo audio outputs. OUTPUT 1 is
typically left and OUTPUT 2 is typically right. OUTPUTS 1/2 can drive
headphones or be used as separate mono L/R outputs connected with mono
cables. When each jack is used with stereo TRS cables, these outputs can
be used in PSEUDO-BALANCED CONNECTION for example to your audio
interface directly. Pseudo-balanced connection ensures less noise hum on
the long cables but cuts the audio signal amplitude by half – to approximate
pro-line level +/-2.5V. Both audio inputs and outputs support airline audio
jack adapter ( sold separately ) to connect with a single 3,5mm TRS stereo
(AUX) cable directly.
KNOB SNAPPING
FW V3.0
When editing secondary parameters marked with /* (with ROUTING pressed) or
returning to primary (when ROUTING released), previously set knob's value has to
be caught to not accidentally have unexpected jumps in values. However, the
distance to which the knob has to cross to catch the value is halved approximately
to catch it faster. That feature was introduced with the firmware v3 and previous
firmware versions had instant jumps after the knob move.
TONE SHAPING
TONE knob adjusts input tone shaping after initial pre-VCA with a light TILT EQ
leaving more low frequencies at knob’s full CCW position or leaving more high
frequencies at knob’s full CW position. After that stage, the signal is passed to the
main processing chain.
By pressing and holding the ROUTING button, TONE /GAIN* knob acts as a digital
GAIN BOOSTER for the applied audio signal (1) from 100% at full CCW to boosted
at full CW enough to bring line or even guitar levels into modular amplitude.
🠚 REMINDER : digital gain brings digital noise when increased past 100%. Use it
creatively at your own discretion.
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