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It is possible the performer may prefer to hear a monitor mix of voice and instruments adjusted
to their particular taste. Focusrite Control lets you dene a custom monitor mix for the artist and
this mix may include the current input signals as well as previously recorded DAW tracks. You can
easily route a musician’s stereo monitor mix to Outputs 3 and 4, and it will then be available at the
Clarett 2Pre USB’s headphone socket. If you need to send the monitor mix to more than one musician,
you can use the rear panel line outputs to send the mix to a headphone amplier.
When sourcing monitor mixes from input signals in this way, ensure the DAW channels you are
recording are muted, otherwise the musicians will hear themselves “twice”, with one signal audibly
delayed as an echo.
Please refer to the Focusrite Control User Guide for more details on setting up monitor mixes.
A note about latency
You will probably have heard the term “latency” used in connection with digital audio systems. In the
DAW recording application described above, latency is the time it takes for your input signals to pass
through your computer and audio software, and back to you.
While not an issue for most recording situations, latency can be a problem for a performer who
wishes to record while monitoring their input signals. This might be the case if you need to increase
your buffer size, which could be needed when you record overdubs on a large project using many
DAW tracks, software instruments and FX plug-ins.
Common symptoms of a buffer setting that is too low could be glitching audio (clicks and pops), or a
particularly high CPU load within your DAW (most DAWs have CPU readouts). If you experience this
on a Mac, you can raise the buffer size from the DAW application itself; on a Windows PC you will
need to change this from the ASIO ControlPanel which can usually be accessed from your DAW
Setup Preferences*.
The Clarett 2Pre, in conjunction with Focusrite Control, allows “low latency monitoring”, which
overcomes this problem. You can route your input signals directly to the Clarett 2Pre’s headphone
and line outputs. This enables the musicians to hear themselves with ultra-low latency – i.e.,
effectively in “real time” – along with computer playback. The input signals to the computer are not
affected in any way by this setting. However, note that any effects being added to the live instruments
by software plug-ins will not be heard in the headphones in this case, although the FX will still be
present on the recording.
* Typical name – page names may vary with DAW
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