MIXING CONSOLE
6
IMX-824/832/840
10. MUTE
This removes the channel’s signal from all MIX, group and
auxiliary buses, although audio will continue to pass
through any attached insert devices. If it is preferable for
pre-fader auxiliary sends to be unaffected by a channel’s
mute status, this can be achieved by changing an internal
jumper setting.
If the button is not engaged, but it is half-bright illuminated,
this means that MUTE GRP, which described below, is
active.
11. CHANNEL LEVEL
Displays the channel’s pre-fader signal level. The “SIG”
lamp indicates the presence of signal at around 12dB
below nominal level. The “PK” lamp warns of signal levels
approaching the upper headroom limit, which means about
3dB to the clip point. We recommend that you reduce the
input gain to avoid unpleasant distortion!
12. BUS ROUTING SWITCHES
Connects the channel signal to each Sub-GROUP and MIX
buses. After-fader signal is fed via PANPOT section.
GROUP 1-2, 3-4, 5-6, 7-8 behaves as stereo path by
panning. ODD numbers are left, and EVEN are right.
GROUP 1-2, 3-4, 5-6, 7-8 are standard L/R(STEREO)
mixes that may be panned L to R. The “LCR” switch sends
the signal to the MIX L, R, and C busses. The “MONO”
switch sends the signal only to the MONO/C bus. When
the “MONO” switch is selected, the MONO/C signal is not
affected by the PAN or BLEND controls.
13. MUTE GRP
These switches assign the channel to any combination of
four mute groups. When a mute group master is activated,
all channels assigned to that group will be automatically
muted, and the MUTE switch will turn on at half bright.
14. SOLO
Routes the signal to the solo bus for isolated auditioning and detailed metering.
15. CHANNEL FADER
A professional 100mm fader gives you smooth, high-resolution control over the channel level.
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