Sampling P2: Loop Edit 2–1: Loop Edit
591
2–1f: ZOOM
ZOOM
This allows you to zoom-in/out in horizontal and
vertical directions of the “Sample waveform display”
(1–1f).
▼ 2–1: Page Menu Commands
The number before each command shows its ENTER +
number-key shortcut. For more information on these
shortcuts, see “ENTER + 0-9: shortcuts for menu
commands” on page 138.
• 0: Delete Sample. For more information, see
“Delete Sample” on page 615.
• 1: Copy Sample. For more information, see “Copy
Sample” on page 616.
• 2: Rename Sample. For more information, see
“Rename Sample” on page 616.
• 3: Move Sample. For more information, see “Move
Sample” on page 616.
• 4: Sample Mono To Stereo. For more information,
see “Sample Mono To Stereo (Change Sample
Type)” on page 617.
• 5: Delete MS. For more information, see “Delete
MS (Delete Multisample)” on page 617.
• 6: Copy MS. For more information, see “Copy MS
(Copy Multisample)” on page 618.
• 7: Rename MS. For more information, see “Rename
MS (Rename Multisample)” on page 618.
• 8: Move MS. For more information, see “Move MS
(Move Multisample)” on page 619.
• 9: Convert MS To Program. For more information,
see “Convert MS (Multisample) To Program” on
page 618.
• 10: MS Mono To Stereo. This will appear only if
the current MS is Mono. For more information, see
“MS Mono To Stereo/MS Stereo To Mono (Change
Multisample Type)” on page 619.
• 10: MS Stereo To Mono. This will appear only if
the current MS is Stereo. For more information, see
“MS Mono To Stereo/MS Stereo To Mono (Change
Multisample Type)” on page 619.
• 11: Optimize RAM. For more information, see
“Optimize RAM” on page 139.
• 12: Select Directory. This applies only when Save
to is set to Disk. For more information, see “Select
Directory” on page 140.
• 13: Auto Sampling Setup. For more information,
see “Auto Sampling Setup” on page 620.
• 14: Truncate. For more information, see “Truncate
(for Sample Edit)” on page 623.
• 15: Time Slice. For more information, see “Time
Slice” on page 629.
• 16: Time Stretch. For more information, see “Time
Stretch” on page 634.
• 17: Crossfade Loop. For more information, see
“Crossfade Loop” on page 638.
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