vi
3. Sequencer mode . . . . . . . . . .55
Sequencer P0: Play/REC ................................55
Make settings for playing/recording a song, and select the
program etc. used for each track.
0–1: Prog. 1–8
Program selection, mute, and solo settings
for each track
............................................ 55
0–2: Prog. 9–16 .................................................................... 55
0–3: Mixer 1–8
Pan and volume settings for each track
62
0–4: Mixer 9–16 .................................................................... 62
0–5: PlyLoop 1–8
Loop track settings for each track
.......... 62
0–6: PlyLoop 9–16 .................................................................... 62
0–7: Sampling
Settings for sampling and audio input etc.
.................................................................... 63
0–8: Preference
Select the realtime recording method, and
you can make metronome settings
........ 67
Sequencer P1: Cue List .................................68
Create and play a cue list for playing a succession of songs.
1–1: Cue List
Create and play back a cue list
............... 68
Sequencer P2: Trk Param...............................72
Set various parameters for each timbre.
2–1: MIDI Ch 1–8
MIDI channel and status settings for each
track
........................................................... 72
2–2: MIDI Ch 9–16 .................................................................... 72
2–3: OSC 1–8
Mono/poly and portamento settings etc.
for each track
............................................ 72
2–4: OSC 9–16 .................................................................... 72
2–5: Pitch 1–8
Pitch-related settings (transpose, pitch
bend range etc.) for each track
............... 73
2–6: Pitch 9–16 .................................................................... 73
2–7: Other 1–8
Delay and scale settings for each track
.73
2–8: Other 9–16 .................................................................... 73
Sequencer P3: MIDI Filter ..............................74
Specify MIDI message reception filtering for each track.
3–1: MIDI 1 1–8
Program changes, aftertouch etc.
.......... 74
3–2: MIDI 1 9–16 .................................................................... 74
3–3: MIDI 2 1–8
Joystick, ribbon controller
...................... 75
3–4: MIDI 2 9–16 .................................................................... 75
3–5: MIDI 3 1–8
Realtime control knobs
........................... 75
3–6: MIDI 3 9–16 .................................................................... 75
3–7: MIDI 4 1–8
SW1/2, foot controller etc.
..................... 76
3–8: MIDI 4 9–16 .................................................................... 76
Sequencer P4: Zone/Ctrl................................ 76
Specify the note range and controllers for each track.
4–1: Key Z 1–8
Specify the range of keys sounded by each
track
...........................................................76
4–2: Key Z 9–16 ....................................................................76
4–3: Vel Z 1–8
Specify the range of velocities sounded by
each track
..................................................77
4–4: Vel Z 9–16 ....................................................................77
4–5: MOSS 1–8
Displayed if the EXB-MOSS option is
installed; set EXB-MOSS parameters
.....77
4–6: MOSS 9–16 ....................................................................77
4–7: Controller
Specify the function of the [SW1] and
[SW2] keys, and B-mode functions of the
REALTIME CONTROLS [1]–[4] knobs
.77
Sequencer P5: Track Edit............................... 78
Perform track editing and step recording, and adjust the
tone of the program for each track.
5–1: Track Edit
Track editing operations such as Copy or
Delete, and step recording
......................78
5–2: Track Name
Edit the name of each track
....................86
Tone Adjust Parameters:
Adjust the tone
......................................86
5–3: Tone1.2 1–8 .................................................................... 86
5–4: Tone1.2 9–16 ....................................................................86
5–5: Tone3.4 1–8 ....................................................................86
5–6: Tone3.4 9–16 ....................................................................86
5–7: Tone5.6 1–8 .................................................................... 86
5–8: Tone5.6 9–16 ....................................................................86
Sequencer P6: Pattern/RPPR .......................... 88
Record and edit patterns, and make RPPR settings.
6–1: Pattern Edit
Record a pattern, and perform pattern
editing such as Copy or Delete
..............88
6–2: Pattern Name
Edit the name of a pattern
.......................90
6–3: RPPR Setup
RPPR settings
............................................91
Sequencer P7: Arpeggiator............................. 93
Make settings for arpeggiators A and B.
7–1: Setup 1–8
Assign an arpeggiator to each track
......93
7–2: Setup 9–16 ....................................................................93
7–3: Arpegg. A
Select an arpeggio pattern and make
settings for arpeggiator A
.......................94
7–4: Arpegg. B
Select an arpeggio pattern and make
settings for arpeggiator B
........................94
7–5: Scan Zone
Specify the range of notes and velocities
that will operate the arpeggiator
...........94
Sequencer P8: Insert Effect ............................ 95
Specify the bus for the output of each track, and make
insert effect settings.
8–1: Routing 1–8
Specify the bus and master effect send
levels for the output of each track
.........95
8–2: Routing 9–16 ....................................................................95
8–3: Insert FX
Select insert effects and turn them on/off,
and make chain settings
..........................97
8–4: IFX 1
Parameter settings for IFX1
....................97
8–5: IFX 2
Parameter settings for IFX2
....................97
8–6: IFX 3
Parameter settings for IFX3
....................97
8–7: IFX 4
Parameter settings for IFX4
....................97
8–8: IFX 5
Parameter settings for IFX5
....................97
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