Mackie SR40.8 User Manual

SR40•8 / SR56•8
OWNER’S MANUAL
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3k45 45 45 45 45 45 45 45 45 45 45 45 45
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M
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060
–
20dB +40dB
L
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GAIN
250
700
70
3k
2.5k
6k
700
15k500
M
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060
–
20dB +40dB
L
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GAIN
250
700
70
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2.5k
6k
700
15k500
M
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060
–
20dB +40dB
L
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GAIN
250
700
70
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2.5k
6k
700
15k500
M
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060
–
20dB +40dB
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GAIN
250
700
70
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2.5k
6k
700
15k500
M
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060
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GAIN
250
700
70
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2.5k
6k
700
15k500
M
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060
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250
700
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2.5k
6k
700
15k500
M
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250
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2.5k
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700
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M
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060
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250
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2.5k
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700
15k500
M
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060
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250
700
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2.5k
6k
700
15k500
M
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060
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GAIN
250
700
70
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2.5k
6k
700
15k500
M
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060
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GAIN
250
700
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2.5k
6k
700
15k500
M
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700
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M
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45
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2.5k
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700
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M
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45
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700
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700
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700
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700
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700
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45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
45
250
700
70
3k
2.5k
6k
700
15k500
M
I
C
060
–
20dB +40dB
L
I
N
E
GAIN
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
SOLO SOLO
PAN
1234
B1 B2 B3 B4
5678
1
2345678
MUTE
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
ASSIGN
TALKBACK MIC
TALKBACK
PHANTOM POWERED
MUTE
LINE OUT
LEVELLEVEL
LEVEL
LEVELLEVELLEVEL
MUTE
INPUTS
MONITOR SOLOTAPE BTAPE A
FLIP
FLIPFLIPFLIPFLIP
FLIP
FLIP
INPUT
SECTION
OUTPUT
SECTION
FLIP
AUX SEND MASTERS
AUX RETURNS
ASSIGNED TO
CENTER
TAPE RETURNS
MATRIX
A
MATRIX
B
MATRIX
C
MATRIX
D
MASTER
ABCD
MASTER MASTER MASTER
SUB
1
SUB
2
SUB
3
SUB
4
SUB
5
SUB
6
SUB
7
SUB
8
CTR
LEFT
RIGHT
PFL
AFL
PFL
AFL
PFL
AFL
PFL
AFL
CLEAR
DO IT
STORE
SYSTEM
BY PASS
MUTE
PREVIEW
SOLO
SOLO SOLO SOLO
SOLO
SOLO
SOLO SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
GRP SNAP
MODE
RUDE
SOLO LIGHT
SOLO
FADER LINK
SOLOSOLOSOLO
MUTEMUTEMUTEMUTE
AIR AIR AIR AIR AIR AIR AIR AIR
AUX 1-4MATRIX A AUX 5-8
MATRIX B
EXTERNALMATRIX C
L/RMATRIX D
INTERCOM
PHONES
SOLO LEVEL
LEVEL
METER
TALKBACK LEVEL
ULTRA MUTE
™
V.+
POWER SUPPLY
STATUS
V.- 5 V 12 V 48 V
PHONES
01234567
8
9
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
10
dB
30 20
10
OO
40
5 5
U
60
50
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
21
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
21
LOW CUT
150 Hz
18dB/OCT
A 1
1
PRE
2 3
5 6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLOSOLO
CENTER
4
PRE FDR
POST EQ
7 8
HI
MID
3.5k
LOW
MID
800Hz
PAN
A1
10
dB
30 20
10
OO
40
5 5
U
60
50
TRIM
DIMMER METERING
ON
IGNORE
CALL
COMMUNICATIONS
OSCILLATOR
RECEIVE
400Hz
PINK NOISE
OUTPUTS
0-9
ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN
LAMP
40•8•2 AUDIO MIXING CONSOLE
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
25
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
25
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
26
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
26
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
27
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
27
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
28
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
28
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
22
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
22
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
23
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
23
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
24
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
24
SOLO
+48 PH
LOW CUT
150 Hz
18dB/OCT
A 2
1
PRE
2 3
5 6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7 8
HI
MID
3.5k
LOW
MID
800Hz
PAN
A2
10
dB
30 20
10
OO
40
5 5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A 3
1
PRE
2 3
5 6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7 8
HI
MID
3.5k
LOW
MID
800Hz
PAN
A3
10
dB
30 20
10
OO
40
5 5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A 4
1
PRE
2 3
5 6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7 8
HI
MID
3.5k
LOW
MID
800Hz
PAN
A4
10
dB
30 20
10
OO
40
5 5
U
60
50
TRIM
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
20
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
20
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
19
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
19
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
18
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
18
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
17
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
17
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
16
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
16
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
15
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
15
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
14
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
14
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
13
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
13
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
12
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
12
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
11
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
11
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
10
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
10
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
9
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
9
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
8
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
8
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
7
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
7
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
6
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
6
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
5
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
5
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
4
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
4
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
3
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
3
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
2
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
2
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
IN
FREQ
80Hz
EQ IN
IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
1
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
1
SOLO
+48 PH
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
29
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
29
SOLO
+48 PH
TALKBACK
LR LR LR LR LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
30
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
30
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
31
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
31
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
32
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
32
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
33
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
33
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
34
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
34
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
35
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
35
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
36
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
36
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
37
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
37
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
38
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
38
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
39
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
39
SOLO
+48 PH
LR
1
PRE
2 3
5
12k
HI
FREQ FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
CENTER
12345678
MUTE
MUTE MUTE MUTE MUTE MUTE MUTE
MUTE
DCBA
21
MUTE
A1
MUTE
25
MUTE
26
MUTE
27
MUTE
28
MUTE
22
MUTE
23
MUTE
24
MUTE
A2
MUTE
A3
MUTE
A4
MUTE
20
MUTE
19
MUTE
18
MUTE
17
MUTE
16
MUTE
15
MUTE
14
MUTE
13
MUTE
12
MUTE
11
MUTE
10
MUTE
9
MUTE
8
MUTE
7
MUTE
6
MUTE
5
MUTE
4
MUTE
3
MUTE
2
MUTE
1
MUTE
29
MUTE
30
MUTE
31
MUTE
32
MUTE
33
MUTE
34
MUTE
35
MUTE
36
MUTE
37
MUTE
38
MUTE
39
MUTE
40
MUTE
EQ
1-2
3-4 5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
40
10
dB
30 20
10
OO
40
5 5
U
60
50
0
6
7
TRIM
40
SOLO
+48 PH
LR
OO
MAX
OO
MAX
LEFT RIGHT
L & R
R = L/R
242322212019181716151413121191087654321 25 26
MASTER
CENTER
LEVEL
SET
(AFL)
LEFT
RIGHT
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
1
2
0
2 4 7
10 20 30
4 7
10 22
2
2
0
2 4 7
10 20 30
4 7
10 22
3
2
0
2 4 7
10 20 30
4 7
10 22
4
2
0
2 4 7
10 20 30
4 7
10 22
5
2
0
2 4 7
10 20 30
4 7
10 22
6
2
0
2 4 7
10 20 30
4 7
10 22
7
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
8
2
0
2 4 7
10 20 30
4 7
10 22
A1
2
0
2 4 7
10 20 30
4 7
10 22
A2
2
0
2 4 7
10 20 30
4 7
10 22
A3
2
0
2 4 7
10 20 30
4 7
10 22
A4
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
2
0
2 4 7
10 20 30
4 7
10 22
CLIP CLIP CLIPCLIPCLIP
27
2
0
2 4 7
10 20 30
4 7
10 22
28
2
0
2 4 7
10 20 30
4 7
10 22
29
2
0
2 4 7
10 20 30
4 7
10 22
30
2
0
2 4 7
10 20 30
4 7
10 22
31
2
0
2 4 7
10 20 30
4 7
10 22
32
2
0
2 4 7
10 20 30
4 7
10 22
33
2
0
2 4 7
10 20 30
4 7
10 22
34
2
0
2 4 7
10 20 30
4 7
10 22
35
2
0
2 4 7
10 20 30
4 7
10 22
36
2
0
2 4 7
10 20 30
4 7
10 22
37
2
0
2 4 7
10 20 30
4 7
10 22
38
2
0
2 4 7
10 20 30
4 7
10 22
39
2
0
2 4 7
10 20 30
4 7
10 22
40
2
0
2 4 7
10 20 30
4 7
10 22
LEVEL
SET
(PFL)
MAIN INSERTS
(BAL/UNBAL)
HEADPHONES
R
L
LEFT RETURN
2 1 4 3
6
5 8 7
R R R R
L L L L
2 1 4 3
6 5 8 7
RIGHT SEND
LEFT SEND
MONITOR
(BAL/UNBAL)
AUX SEND
(BAL/UNBAL)
"B" AUX RETURNS
(BAL/UNBAL)
SUB INSERTS
(BAL/UNBAL)
1
2
3 4
(MONO) (MONO) (MONO) (MONO)
R R R R
L
L
L L
A1 A2 A3 A4
(MONO)
C A
D
B
(MONO) (MONO)
SOURCE =
MASTER L-R
SOURCE =
MATRIX C&D
(MONO)
MATRIX DMATRIX CMATRIX BMATRIX A
SUB
1
SUB
2
SUB
3
SUB
4
SUB
5
SUB
6
SUB
7
SUB
8
CENTER
RIGHTLEFT
TALK BACK MIC
PHANTOM POWERED
INTERCOM
INSERT RETURN
MIC 25
INSERT SEND
25
DIRECT OUT
LINE IN
INSERT RETURN
MIC 26
INSERT SEND
INSERT RETURN
MIC 24
INSERT SEND
24
DIRECT OUT
LINE IN
INSERT RETURN
MIC 23
INSERT SEND
23
DIRECT OUT
LINE IN
INSERT RETURN
MIC 22
INSERT SEND
22
DIRECT OUT
LINE IN
INSERT RETURN
MIC 21
INSERT SEND
21
DIRECT OUT
LINE IN
INSERT RETURN
MIC 20
INSERT SEND
20
DIRECT OUT
LINE IN
INSERT RETURN
MIC 19
INSERT SEND
19
DIRECT OUT
LINE IN
INSERT RETURN
MIC 18
INSERT SEND
18
DIRECT OUT
LINE IN
INSERT RETURN
MIC 17
INSERT SEND
17
DIRECT OUT
LINE IN
INSERT RETURN
MIC 16
INSERT SEND
16
DIRECT OUT
LINE IN
INSERT RETURN
MIC 15
INSERT SEND
15
DIRECT OUT
LINE IN
INSERT RETURN
MIC 14
INSERT SEND
14
DIRECT OUT
LINE IN
INSERT RETURN
MIC 13
INSERT SEND
13
DIRECT OUT
LINE IN
INSERT RETURN
MIC 12
INSERT SEND
12
DIRECT OUT
LINE IN
INSERT RETURN
MIC 11
INSERT SEND
11
DIRECT OUT
LINE IN
INSERT RETURN
MIC 10
INSERT SEND
10
DIRECT OUT
LINE IN
INSERT RETURN
MIC 9
INSERT SEND
9
DIRECT OUT
LINE IN
INSERT RETURN
MIC 8
INSERT SEND
8
DIRECT OUT
LINE IN
INSERT RETURN
MIC 7
INSERT SEND
7
DIRECT OUT
LINE IN
INSERT RETURN
MIC 6
INSERT SEND
6
DIRECT OUT
LINE IN
INSERT RETURN
MIC 5
INSERT SEND
5
DIRECT OUT
LINE IN
INSERT RETURN
MIC 4
INSERT SEND
4
DIRECT OUT
LINE IN
INSERT RETURN
MIC 3
INSERT SEND
3
DIRECT OUT
LINE IN
INSERT RETURN
MIC 2
INSERT SEND
2
DIRECT OUT
LINE IN
INSERT RETURN
MIC 1
INSERT SEND
1
DIRECT OUT
LINE IN
26
DIRECT OUT
LINE IN
INSERT RETURN
MIC 27
INSERT SEND
27
DIRECT OUT
LINE IN
INSERT RETURN
MIC 28
INSERT SEND
28
DIRECT OUT
LINE IN
INSERT RETURN
MIC 29
INSERT SEND
29
DIRECT OUT
LINE IN
INSERT RETURN
MIC 30
INSERT SEND
30
DIRECT OUT
LINE IN
INSERT RETURN
MIC 31
INSERT SEND
31
DIRECT OUT
LINE IN
INSERT RETURN
MIC 32
INSERT SEND
32
DIRECT OUT
LINE IN
INSERT RETURN
MIC 33
INSERT SEND
33
DIRECT OUT
LINE IN
INSERT RETURN
MIC 34
INSERT SEND
34
DIRECT OUT
LINE IN
INSERT RETURN
MIC 35
INSERT SEND
35
DIRECT OUT
LINE IN
INSERT RETURN
MIC 36
INSERT SEND
36
DIRECT OUT
LINE IN
INSERT RETURN
MIC 37
INSERT SEND
37
DIRECT OUT
LINE IN
INSERT RETURN
MIC 38
INSERT SEND
38
DIRECT OUT
LINE IN
INSERT RETURN
MIC 39
INSERT SEND
39
DIRECT OUT
LINE IN
INSERT RETURN
MIC 40
INSERT SEND
40
DIRECT OUT
LINE IN
DATA
MIDI IN MIDI OUT
TAPE
TAPE
R
L
R
L
R
L
R
L
INPUT OUTPUT
TAPE TAPE
INPUT OUTPUT
TAPE A
TAPE B
(MACKIE 400-WATT POWER SUPPLY !)
DC POWER IN
TALKBACK
SUB OUTPUTS
SEND RETURN SEND RETURN SEND RETURN SEND RETURN
SEND RETURN SEND RETURN SEND RETURN SEND RETURN
MATRIX OUTPUTS MATRIX INPUTSMAIN OUTPUTS
CNTR SEND
RIGHT RETURN
CNTR RETURN
L-INSERT R-INSERT
TAPE
MAIN AUX RETURNS
™

Mackie SR40.8 Specifications

General

Type	Analog
Channels	40
Phantom Power	Yes
Inputs - Other	2 (stereo)
Outputs - Main	2 (stereo)
Faders	40

Summary

Safety Instructions

General Safety Guidelines

Covers reading, retaining, and following instructions for safe operation.

Operational Precautions

Details on avoiding water, heat, and proper power source usage.

Service and Compliance Notes

Information on when to seek service and compliance with radio regulations.

Level-Setting Procedure

Hyper-Quick-Turbo Method

Step-by-step guide for setting audio input and output levels efficiently.

Alternate Method

An alternative procedure for setting levels, resulting in faders aligned.

Introduction to the SR40-8

How to Use This Manual

Guidance on navigating and utilizing the manual's structure.

SR40-8 Overview: In A Nutshell

A concise summary of the mixer's main features and zones.

SR40-8 Overview: In A Nutshell

Mixing Signal Flow

Explanation of channel controls and signal assignment to main mix and subs.

Matrix Mixer Functionality

Details on the matrix mixer for creating unique destination mixes.

Monitoring, Solo, & Metering

Ultra Mute™ Automation

Patch Panel Connections

EZ Interface Benefits

Highlights the ease of patching with balanced, close-tolerance components.

Microphone Input Details

Describes the XLR mic input, phantom power, and RFI elimination.

Line Input Configuration

Insert Send and Return Jacks

Main Aux Returns (A1-A4)

Aux Send Signal Routing

Main Outputs Configuration

Sub Outputs Routing Options

Headphone Monitoring System

Headphone Insert Usage

Details using headphone inserts for delay effects to match console and speaker timing.

Talkback System Operation

Talkback Mic Input Details

Details the phantom-powered XLR inputs for talkback microphones.

Intercom System Integration

Matrix Mixer Operations

Matrix Input Level Adjustment

Controls input levels for each of the eleven mixes feeding a matrix.

Matrix Master Level Control

Sets the overall output level for each matrix.

Channel Strip Controls Overview

Channel Input Controls

Details controls affecting the signal after the mic/line input, including phantom power.

Trim Control Usage Guide

Guide on using the trim control for setting input gain and ensuring optimal headroom.

Equalization (EQ) Section Details

HI EQ Control (12kHz Shelving)

Controls for adding or cutting high frequencies at 12kHz.

HI MID EQ Control (Sweepable)

Controls for boosting/cutting mid-frequencies with a sweepable frequency point.

Channel Output Controls

Channel Mute Functionality

How to mute individual channels, affecting multiple output paths.

Fader Operation Guide

Pan Control Usage

Solo Auditioning Modes

Metering Functions Overview

Channel Meter Operation

Displays signal level for each channel, configurable for PFL or AFL.

Aux Send Control Operation

Rotary controls for tapping and sending signals to aux outputs or subgroups.

Main Aux Returns (A1-A4) Details

HPF Filter Engagement

Engages a fixed 150Hz high-pass filter to remove low-frequency content.

Output Section Overview

Left Fader Control Operation

Adjusts the signal level for the left main mix output.

Right Fader Control Operation

Adjusts the signal level for the right main mix output.

Subgroup Mix Management

Subgroup Fader Control

Adjusts the signal level for subgroup mixes.

Subgroup Mute Functionality

Mutes subgroup signals from output paths and solo.

Aux Send Masters Control

Flip Switch Functionality

Routes aux send masters through subgroups, enabling fader control.

Level Adjustment for Aux Sends

Controls the signal level sent to stage monitors via aux send masters.

Solo Master Controls Overview

Input Signal Soloing Modes

Controls solo mode for input signals like channels and aux returns.

Output Signal Soloing Modes

Controls solo mode for output signals like subgroups and main mixes.

Phones Level Control

Talkback System Operation

Talkback Switch Activation

Activates talkback to various outputs for communication.

Talkback Level Adjustment

Controls the signal level of the talkback microphone.

Assignment Switches Functionality

Talkback Assignment Options

Selects outputs for talkback signals, including aux sends and matrices.

Communications System Integration

Intercom System Usage

Enables party-line communication with other Clear-Com participants.

Matrix Mixer Operations

Matrix Input Level Adjustment

Controls input levels for each of the eleven mixes feeding a matrix.

Matrix Master Level Control

Sets the overall output level for each matrix.

Ultra Mute™ Automation Features

Typical Applications of Muting

Explains Group and Snapshot modes for muting instruments or acts.

MIDI Control Perspective

How MIDI messages control muting and sequences.

Ultra Mute™ Summary

General Muting Capabilities

Overview of Sets, Groups, and Snapshots available in the system.

Mode Selection (Group/Snapshot)

Toggles between Group and Snapshot modes for mute configuration.

Ultra Mute™ Operation Guide

Group Mode Operations

Detailed steps for programming, clearing, and selecting mute groups.

Snapshot Mode Operations

Programming Snapshots Procedure

Steps for creating, storing, and recalling mute configurations as Snapshots.

Selecting Snapshots Procedure

How to choose and engage specific Snapshots.

Store Functionality

Clear Functionality

MIDI Implementation Guide

Using MIDI Ports

Explains MIDI Note, Program Change, and Sysex messages for control.

System Exclusive Messages (Sysex)

Explains Sysex for data transfer and memory backup.

MIDI Sysex Message Numbers Chart

SR40-8 Block Diagram

SR40-8 Gain Structure Diagram

SR40-8 Specifications

Appendix A: Service Information

Troubleshooting Guide

Provides solutions for common channel, output, noise, and power issues.

Repair Service Process

Instructions for obtaining factory service, including RA numbers and packing.

Appendix B: Glossary of Terms

AFL Definition

Acronym for After Fade Listen, a post-fader solo function.

Balanced Audio Lines Explained

Explanation of balanced circuits and their immunity to noise.

Clipping Distortion Explained

Describes audio distortion caused by excessive gain.

Equalization (EQ) Principles

Grounding Principles and Safety

Phantom Power System

Trim Control Function Explained

Appendix C: Connections

XLR Connectors Explained

Details the 3-pin female XLR connectors for microphone inputs.

TRS Phone Plugs and Jacks Explained

Explains TRS connections for stereo or balanced audio applications.

Special Mackie Connections

Appendix D: Mysteries of Audio Connections

Balanced Lines Benefits

Explains increased immunity to noise and preferred interconnect method.

Phantom Powering History

Background on phantom power systems and their adoption.

Phantom Power Do & Don't Chart

Fixed Installation Best Practices

Addendum/Errata Updates