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ANNEX 1: EFFECT DESCRIPTIONS
FXA effect modules
Modeled after a modern 535Q.
Modeled after a vintage voiced remake.
Studio rack style unit. Tailor your perfect Wah.
Modulated automatic sweeping Wah.
Dynamic envelope filter Wah with auto sweep.
Talking Wah algorithm from the MOOER® Red Kid.
Talking Wah algorithm from the MOOER® Red Kid.
Static low frequency pass filter.
Static high frequency pass filter.
Static notch filter (like a half cocked Wah pedal).
Dual-parameter adjustable compressor.
Dual-parameter compressor.
Based on MOOER® YELLOW COMP compressor with four parameters.
Compressor based on MOOER® BLUE COMP with four parameters.
Modern analog studio compressor.
Based on the MOOER® Ninety Orange.
Square wave phase shifter.
Low frequency phase shifter.
Classic Flanger, based on the MOOER® E-Lady.
Based on the MOOER® Jet Flanger.
Based on the MOOER® Trelicopter.
Square wave tremolo effect.
Simulates a vintage Leslie rotary speaker.
Stompbox style analog chorus.
Fine-tuned pitch adjustment.
Adds a note one octave lower or higher.
Low sampling rate filter.
Recreates the crystal-clear repeats of the 80’s delay units.
Unlike conventional noise gates, this works by separating the conventional
signal from the white noise in the signal and eliminating the white noise to
achieve noise reduction while maintaining natural decay. This module is
recommended for use before distortion effects or speaker simulation.
Five parameter studio noise gate. The user can adjust the effective threshold
according to the current noise level, then adjust the appropriate attack and
release according to their needs, and finally select the appropriate damping.
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