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Orban OPTIMOD 5750 - Page 10

Orban OPTIMOD 5750
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O P T I M O D - 5 7 5 0 D I G I T A L A U D I O P R O C E S S O R
SPEECH MODE ......................................................................................................................................................... 3-53
BANDMIX ................................................................................................................................................................. 3-54
DISTORTION ............................................................................................................................................................. 3-55
DISTORTION ............................................................................................................................................................. 3-56
HD LIMITING ............................................................................................................................................................ 3-57
2 BAND PROCESSING ............................................................................................................................................... 3-58
EXTERNAL ENCODER LOOP .................................................................................................................................... 3-61
Section 4: Maintenance ...................................................................................................................4-1
Routine Maintenance ................................................................................................................................................ 4-1
Section 5: Troubleshooting ..............................................................................................................5-1
Problems and Potential Solutions.............................................................................................................................. 5-1
Section 6: Technical Data ................................................................................................................6-1
Using Lossy Data Reduction in the Studio ................................................................................................................. 6-1
About Transmission Levels and Metering ................................................................................................................. 6-1
Line Up Facilities ........................................................................................................................................................ 6-3
ITU-R MULTIPLEX POWER CONTROLLER ................................................................................................................... 6-6
Section 7: Specifications ................................................................................................................ 7-11
Performance ............................................................................................................................................................ 7-11
Delay ........................................................................................................................................................................ 7-12
Analog Audio Input .................................................................................................................................................. 7-12
Analog Audio Output ............................................................................................................................................... 7-12
Digital Audio Input ................................................................................................................................................... 7-13
Digital Audio Outputs .............................................................................................................................................. 7-13
Wordclock/10 MHz Sync Reference ........................................................................................................................ 7-14
Audio-Over-IP I/O (AoIP) ......................................................................................................................................... 7-15
Composite Baseband Outputs ................................................................................................................................. 7-15
Subcarrier (SCA) Inputs ............................................................................................................................................ 7-16
µMPX Codec (optional) ............................................................................................................................................ 7-17
Streaming Audio Monitor (optional) ....................................................................................................................... 7-17
Emergency Player (optional) ................................................................................................................................... 7-17
Ratings Encoder: ...................................................................................................................................................... 7-17
Remote Computer Interface .................................................................................................................................... 7-17
Remote Control (GPI) Interface ............................................................................................................................... 7-18

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