Pentax K200D - Page 9

7
Checking the Composition, Exposure and Focus Before
Shooting ..................................................................................... 112
Selecting the Preview Method ..........................................................112
Displaying the Preview .....................................................................113
Continuous Shooting................................................................. 115
Self-Timer Shooting ................................................................... 117
Remote Control Shooting (Remote Control F:
Sold Separately)......................................................................... 120
Using Mirror Up Function to Prevent Camera Shake ............. 123
Changing the Shooting Conditions Automatically when
Shooting (Auto Bracket)............................................................ 124
Using the Flash 127
Compensating Flash Output..................................................... 128
Allowing Shooting while Charging the Flash .......................... 129
Flash Characteristics in Each Exposure Mode ....................... 130
Distance and Aperture when Using the Built-in Flash ........... 132
DA, D FA, FA J, FA and F Lens Compatibility
with the Built-in Flash................................................................ 133
Using an External Flash (Optional) .......................................... 134
Shooting Settings 143
Setting the Image Processing Method in Capture Mode
(Custom Image).......................................................................... 144
Setting the File Format .............................................................. 146
Setting the JPEG Recorded Pixels ...................................................146
Setting the JPEG Quality Level ........................................................147
Setting the File Format .....................................................................148
Setting the RAW Button Function.....................................................149
Setting the White Balance ................................................................150
Setting the Color Space....................................................................155