Roland GAIA 2 - Page 76

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MFX List
31 Saturator
This eect combines overdrive and lter.
Balance W
Balance D
Balance D
Pre Pre
FilterFilter
OverdriveOverdrive
Post Post
Filter1-3Filter1-3
Pre Pre
FilterFilter
OverdriveOverdrive
Post Post
Filter1-3Filter1-3
L inL in L outL out
R outR outR inR in
Parameter Value Explanation
Pre Type
THRU, LPF, HPF, LSV, HSV
The types of lters available before distortion processing.
THRU: No lter is applied
LPF: A lter that passes the sound below the specied frequency
HPF:A lter that passes the sound above the specied frequency
LSV: A lter that boosts/cuts the sound below the specied frequency
HSV:A lter that boosts/cuts the sound above the specied frequency
Pre Freq
20–16000 [Hz] Frequency at which the pre-distortion lter operates
Pre Gain
-24.0–+24.0 [dB] For the LSV/HSV types, the amount of boost/cut
Drive
0.0–48.0 [dB] Strength of distortion
Post1 Type
THRU, LPF, HPF, LSV, HSV Type of lter 1 which follows the distortion processing
Post1Frq
20–16000 [Hz] Frequency at which post-distortion lter 1 operates
Post1Gain
-24.0–+24.0 [dB] For the LSV/HSV types, the amount of boost/cut
Post2 Type
THRU, LPF, HPF, LSV, HSV Type of lter 2 which follows the distortion processing
Post2Frq
20–16000 [Hz] Frequency at which post-distortion lter 2 operates
Post2Gain
-24.0–+24.0 [dB] For the LSV/HSV types, the amount of boost/cut
Post3 Type
THRU, LPF, HPF, BPF, PKG
The lter types available for lter 3 after distortion processing.
THRU: No lter is applied
LPF: A lter that passes the sound below the specied frequency
HPF: A lter that passes the sound above the specied frequency
BPF: A lter that passes only the specied frequency
PKG: A lter that boosts/cuts the specied frequency
Post3Frq
20–16000 [Hz] Frequency at which post-distortion lter 3 operates
Post3Gain
-24.0–+24.0 [dB] For the PKG type, the amount of boost/cut
Post3 Q
0.5–16.0 Width of the frequency range aected by the lter
Sense
-60.0–0.0 [dB]
Adjust this value so that the sound is not made louder when distortion is
applied.
PostGain
-48.0–+12.0 [dB] Gain following distortion processing
Balance
D100:0W–D0:100W Volume balance between the dry sound (D) and eect sound (W)
Level
0–127 Output Level