Roland juno-ds61 - MFX;Chorus;Reverb Parameters; Extended Delay and Lo-Fi Effects

53
MFX/Chorus/Reverb Parameters
54: ANALOG LONG DELAY
A delay in which the delay time can be varied smoothly, and allowing an extended
delay to be produced.
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
Parameter Value Explanation
Delay Time # 0–2600[msec], note Adjusts the time until the delay is heard.
Acceleration 0–15
Adjusts the speed which the Delay Time changes
from the current setting to a specied new
setting.
The rate of change for the Delay Time directly
aects the rate of pitch change.
Feedback # -98–+98[%]
Adjusts the amount of the delay that’s fed back
into the eect. Negative (-) settings invert the
phase.
HF Damp
200–8000[Hz],
BYPASS
Adjusts the frequency above which sound fed
back to the eect is ltered out. If you do not
want to lter out any high frequencies, set this
parameter to BYPASS.
Pan # L64–63R Stereo location of the delay
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the delay sound (W)
Level 0–127 Output level
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the
tape echo section of a Roland RE-201 Space Echo.
Echo Level
Echo Level
L in
R in
L out
R out
Tape Echo
Direct Level
Direct Level
Parameter Value Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads to use
Select from three dierent heads with dierent
delay times.
S: short, M: middle, L: long
Repeat Rate # 0–127
Tape speed
Increasing this value will shorten the spacing of
the delayed sounds.
Intensity # 0–127 Amount of delay repeats
Bass -15–+15[dB] Boost/cut for the lower range of the echo sound
Treble -15–+15[dB] Boost/cut for the upper range of the echo sound
Head S Pan
L64–63R
Independent panning for the short, middle, and
long playback heads
Head M Pan
Head L Pan
Tape Distortion 0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes that can be
detected by signal-analysis equipment. Increasing
this value will increase the distortion.
Wow/Flutter Rate 0–127
Speed of wow/utter (complex variation in pitch
caused by tape wear and rotational irregularity)
Wow/Flutter Depth 0–127 Depth of wow/utter
Echo Level # 0–127 Volume of the echo sound
Direct Level # 0–127 Volume of the original sound
Level 0–127 Output level
56: LOFI NOISE
In addition to a lo- eect, this adds various types of noise such as white noise and
disc noise.
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Noise Gen.
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
LoFi Type 1–9
Degrades the sound quality. The sound quality
grows poorer as this value is increased.
Post Filter Type
Type of lter that follows the LoFi eect
OFF No lter is used
LPF Cuts the frequency range above the Cuto.
HPF Cuts the frequency range below the Cuto.
Post Filter Cuto 200–8000[Hz] Center frequency of the lter
W/P Noise Type WHITE, PINK Switch between white noise and pink noise.
W/P Noise LPF
200–8000[Hz],
BYPASS
Center frequency of the low pass lter applied to
the white/pink noise (BYPASS: no cut)
W/P Noise Level # 0–127 Volume of the white/pink noise
Disc Noise Type LP, EP, SP, RND
Type of record noise
The frequency at which the noise is heard
depends on the selected type.
Disc Noise LPF
200–8000[Hz],
BYPASS
Adjusts the cuto frequency of the low pass lter
applied to the record noise. If you don’t want to
lter out any high frequencies, set this parameter
to BYPASS.
Disc Noise Level # 0–127 Volume of the record noise
Hum Noise Type 50, 60[Hz] Frequency of the hum noise
Hum Noise LPF
200–8000[Hz],
BYPASS
Center frequency of the low pass lter applied to
the hum noise (BYPASS: no cut)
Hum Noise Level # 0–127 Volume of the hum noise
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the eect sound (W)
Level 0–127 Output level
57: LOFI COMPRESS
This is an eect that intentionally degrades the sound quality for creative purposes.
L in
R in
L out
R out
Compressor
Lo-Fi
Lo-Fi
Compressor
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
Pre Filter Type
Selects the type of lter applied to the sound before it passes through
the Lo-Fi eect.
1 Compressor o
2–6 Compressor on
LoFi Type 1–9
Degrades the sound quality. The sound quality
grows poorer as this value is increased.
Post Filter Type
Type of lter
OFF No lter is used
LPF Cuts the frequency range above the Cuto
HPF Cuts the frequency range below the Cuto
Post Filter Cuto 200–8000[Hz] Basic frequency of the Post Filter
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the eect sound (W)
Level # 0–127 Output level
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