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General| Motorized Faders | Yes |
|---|---|
| EQ | 4-band parametric |
| Effects | Reverb, Delay, Modulation |
| Connectivity | Ethernet, USB |
| Screen | Touchscreen |
| Automation | Yes |
| Type | Digital |
| Processing Engine | SSL |
| Dynamics | Compressor, Gate |
| I/O | Dante, Analog |
Explains the general principles and requirements for digital clocking in a Live system.
Details how to choose and configure internal or external clock sources for the console.
Describes how to clock consoles connected to a Blacklight II Concentrator for stagebox sharing.
Explains how to set up clocking for a Dante network, including Preferred Master configuration.
Details configuring the console to clock from the Dante network as a slave device.
Discusses clocking configurations using BLII/X-Light bridges for Dante networking.
Details configuring the console to clock from a BLII/X-Light Bridge as a slave.
Instructions for setting the system's sample rate, ensuring console and stageboxes match.
Explains how to set clocking for MADI stageboxes, including default and alternative methods.
Guide to connecting multiple MADI stageboxes in a chain for extended connectivity.
Details AES/EBU input/output connections and sample rate conversion capabilities.
Diagram and description of the front panel connections for the L100 console.
Explains the RJ45 connector type for primary and secondary Dante network connections.
Illustrates a basic system setup with L500 Plus, MADI stageboxes, and a recorder.
Diagram showing a redundant Blacklight II system with multiple stageboxes.
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