+33 4 7642 9550 www.aaton.com Cantar-X User Manual v2.26 (r13) 2009 April 27
p.28
p.28
Create T7T8 In-Grids
Rotate the [MainSelector] to five o'clock. Originally devoted
to recording the mixer's output, the T7T8 In-Grids continue
to be handled separately from
T1–T6 and are displayed on the
rectangular screen. Pressing the
[ok] button causes the [jog] to
scroll through forty five In-Grid pairs (see table below).
• None None: T7T8 are disarmed to save disk space.
• Xa Xb: the T1 – T6 mixer outputs are sent to T7T8; a
'mix' icon appears in the left circular screen.
• input
& Xb: a mic, line or digi-in (e.g. boom) goes to T7,
and the mix of T1 – T6, all panned to Xb, goes to T8.
• input
& Xb+: the '+' sign means that T7 is inserted at its
nominal level into the Xb dynamic mono-mix.
• input pair: a mic, line or digi input pair goes to T7T8.
• digi7 mic5: tailored for the last track recording of an eight-
track 'Re-recording' session (see RR8, right column).
preset T7T8 In-Grids
The T7T8 signal levels are displayed on the rectangular
screen bargraphs and on the right circular screen by pressing
the [eye] button.
M/S Declaration
T7T8 can't be 'm-s' declared.
AES power
As soon as an AES digi-in is selected in the routings, the
digi 1-6 input icons start flashing to remind you to turn the AES
power 'ON'. AES converters consume 110mA at 48kHz
and 200mA at 96kHz; if they are not in use it is wise to turn
them 'OFF' in TECHSET.02 'Digi power'. The AES convert-
ers translate any incoming AES sample rate, e.g. 44.1kHz,
to Cantar's selected sampling rate, e.g. 48000Hz.
Sixteen Tracks needs two Cantar-X2s
To impose the same sampling rate and phase, and get a
sixteen-track machine, enter a Wordclock signal on the
SubD 15 Pin-4, and select a 'WC' prefixed sampling rate in
AUDIO/TC.01 'Sample Rate'. If you select the wrong sam-
pling rate, 'Wordclock SampleRate mismatch' is displayed
on the rectangular screen. If the Wordclock reference is
missing, 'Wordclock input missing' is displayed.
Rec&Play In-Grids see Rec&Play, p.49
• for 'Remix': RPM = B2* & 02**.
• for 'Archive file update': RPA = B2* & 44**.
• for 'eight-track Re-recording': RR1 = A1* & 01**, RR2 =
A2* & 01**, RR3 = A3* & 01**, RR4 = A4* & 01**,
RR5 = A5* & 01**, RR6 = B1* & 01**, RR7 = B2* &
11**, RR8= B2* & 45**.
*
T1–T6, operator's In-Grids (p.27)
A1 (mic5/T1), A2 (mic5/T2, digi1/T1), A3 (mic5/T3, di-
gi1/T1, digi2/T2), A4 (mic5/T4, digi1/T1, digi2/T2,
digi3/T3), A5 (mic5/T5, digi1/T1, digi2/T2, digi3/T3,
digi4/T4), B1 (mic5/T6, digi1/T1, digi2/T2, digi3/T3,
digi4/T4, digi5/T5), B2 (digi1/T1 digi2/T2, digi3/T3,
digi4/T4, digi5/T5, digi6/T6).
With 'TECHSET.03 (p.33), save this A1–B2 In-Grid setup,
and rename it 'Clone1'. Loading it for your next cloning ses-
sion will be a great time saver.
**
T7T8, preset In-Grids (left column)
01 None None 02 Xa Xb 11 mic5 Xb
44 digi7 digi8 45 digi7 mic5
ROUTINGS 2, T7T8 IN-GRIDS
IN-GRID #12
T7 T8
m5 Xb+ <
01 no no
02 Xa Xb
03 m1 Xb
04 m1 Xb+
05 m2 Xb
06 m2 Xb+
07 m3 Xb
08 m3 Xb+
09 m4 Xb
10 m4 Xb+
11 m5 Xb
12 m5 Xb+
13 l 1 Xb
14 l 1 Xb+
15 l 2 Xb
16 l 2 Xb+
17 l 3 Xb
18 l 3 Xb+
19 l 4 Xb
20 l 4 Xb+
21 d 1 Xb
22 d 1 Xb+
23 d 2 Xb
24 d 2 Xb+
25 d 3 Xb
26 d 3 Xb+
27 d 4 Xb
28 d 4 Xb+
29 d 5 Xb
30 d 5 Xb+
31 d 6 Xb
32 d 6 Xb+
33 d 7 Xb
34 d 7 Xb+
35 d 8 Xb
36 d 8 Xb+
37 m1 m2
38 m3 m4
39 l 1 l 2
40 l 3 l 4
41 d 1 d 2
42 d 3 d 4
43 d 5 d 6
44 d 7 d 8
45 d 7 m5
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