r2"'r8
Random
The
number
of
Source notes is a random
number
between 1 and the specified number.
9.4
ORDER
As previously indicated, the "Order" parameter defines the criteria by which the
particular Source notes to generate are determined. The actual Values represent the
valid combinations
of
the order criteria (chronological, note#,
or
random), the initial
direction, and whether to alternate directions with each scan
of
the Source note list, as
described in the following table.
Chronologically - the
C)'clone
will process notes/chords in the exact order it
receives them from the Master.
It
will then transmit them as follows:
rF
Received Forward chronologically, forward only
rb
Received Backward chronologically, backward only
Fb
Forward-Backward chronologically, initially forward, alternating
bF
Backward-Forward chronologically, initially backward, alternating
By
Note # - the
C)'clone
will process notes/chords by Note Number.
The
chronological order it receives them from the Master is ignored.
It
will then transmit
them as follows:
UP
dn
Ud
dU
Up
Down
Up-Down
Down-Up
by note #, ascending only
by note # , descending only
by note #, initially ascending, alternating
by note #, initially descending, alternating
Random-
the
Cyclone
will process notes/chords randomly.
The
note
number
or
chronological order it receives them from the Master are ignored. It will then transmit
them as follows:
rn
Random
Random order, repeats
of
the same note allowed
9.5
CLONING: THE GENERAL CASE
With a little thought, it is possible to understand how these Cloning parameters, in
conjunction with the SourcelDestination parameters, can be defined to implement the
traditional performance techniques. Classical arpeggiation is really
just
the
combination
of
a keyboard Zone, a Pulse Rhythm, Fixed I Mode, and
Up-Down
Order, while sequencing would result from activating the Record Buffer, using
Recorded Rhythm, As Recorded Mode, and Received Forward Order. However, all
combinations
of
these parameters are valid, leading to a large number
of
completely
new performance techniques, which together are called "Cloning".
Cloning:
Rhythm, Order,
Mode
Page 37
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