Roland G-800 - MIDARTime RX, MIDNArrng RX, and MIDNSong RX pages; MIDINTA page (Note to Arranger receive channels)

G-800 Reference Manual
MIDARTime
RX,
MIDNArrng
RX,
and
MIDNSong
RX
pages
Fart Channel Shift Filter Limit
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>
Master
page:
[F3]
(MIDI)
>
[F1]
(RTime),
[F2](Arrng),
or
[F3]
(Sng)
[PAGE]
A/F
(select
the
RX
page)
Seeing
that
these
three
pages
feature
the
same
parameters,
we
will
discuss
them
together.
J
ust
remember
to
press
[F1]
to
select
the
Realtime
(RTime)
level,
[F2]
to
select
the
Arranger
(Arrng)
level,
or
[F3]
to
select
the
Song
level.
E Part
This
parameter
allows
you
to
select
the
part
whose
MIDI
RX
settings
you
wish
to
change.
The
selectable
parts
are:
Function key Selectable parts
[F1] (RTime) UP1, UP2, LOW, MBS, MDR
[F2] (Arrng) | ADR, ABS, AC1~AC6
[F3] (Song) | Sng B1~Sng 816
The
character
and
number
next
to
the
part
name
indicate
the
factory
MIDI
receive/transmit
channel
assignment.
MH Channel (A1~B16)
Allows
you
to
assign
a
MIDI
receive
channel
(i.e.
the
channel
number
used
to
receive
MIDI
data
coming
from
external
instruments,
sequencers,
or
computers)
to
the
selected
part.
The
letter
(A
or
B)
denotes
the
MIDI
INput
the
transmitter
must
be
connected
to
(MIDI
IN
A
or
MIDI
IN
B)
to
control
the
part
in
question.
By
default,
all
Realtime
and
Arranger
parts
are
set
to
receive
and
transmit
MIDI
messages
via
the
MIDI
A
connectors.
The
Song
parts,
on
the
other
hand,
are
set
to
receive
and
transmit
via
the
MIDI
B
connectors.
Note:
As
long
as
the
Arranger
does
not
play
(you
may
have
to
set
the
Style
Sync
parameter
(see
page
91)
so
that
the
Arranger
does
not
start
playing
in
response
to
a
Start
message),
you
can
use
the
Arranger
parts
the
way
you
would
use
the
parts
of
a
multitimbral
tone
generator.
Press
the
Part
Select
[M.BASS]
button
to
prevent
the
selected
part
(Off)
from
receiving
any
MIDI
messages
at
all.
Otherwise
choose
On.
E Shift (-48-48)
This
parameter
allows
you
to
transpose
the
received
note
messages
before
sending
them
to
the
G-800’s
tone
generator.
You
could
change
the
pitch
of
the
received
MIDI
note
messages,
which
may
be
useful
if
you
are
used
to
playing
a
song
(that
is
being
received
via
MIDI)
in
another
key
than
the
one
the
data
were
programmed
in.
The
maximum
possible
transposition
is
four
octaves
up
(48)
or
down
(—48),
each
step
representing
a
semitone.
Use
the
Part
Select
[LOWER]
button
to
specify
whether
the
Shift
interval
should
be
applied
(On)
or
not
(Off).
84