Roland juno-ds61 - MFX;Chorus;Reverb Parameters; Phaser and Speaker Simulator Effects

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MFX/Chorus/Reverb Parameters
09: HUMANIZER
Adds a vowel character to the sound, making it similar to a human voice.
Formant
2-Band
EQ
L in
R in
Overdrive
L out
R out
Pan R
Pan L
Parameter Value Explanation
Drive Sw OFF, ON Turns Drive on/o.
Drive # 0–127
Degree of distortion
Also changes the volume.
Vowel1 a, e, i, o, u
Selects the vowel.
Vowel2 a, e, i, o, u
Rate # 0.05–10.00[Hz], note Frequency at which the two vowels switch
Depth # 0–127 Eect depth
Input Sync Sw OFF, ON
LFO reset on/o
Determines whether the LFO for switching the
vowels is reset by the input signal (ON) or not
(OFF).
Input Sync
Threshold
0–127 Volume level at which reset is applied
Manual #
Point at which Vowel 1/2 switch
49 or less Vowel 1 will have a longer duration.
50 Vowel 1 and 2 will be of equal duration.
51 or more Vowel 2 will have a longer duration.
Low Gain -15–+15[dB] Gain of the low frequency range
High Gain -15–+15[dB] Gain of the high frequency range
Pan # L64–63R Stereo location of the output
Level 0–127 Output level
10: SPEAKER SIMULATOR
Simulates the speaker type and microphone settings used to record the speaker
sound.
L in
R in
L out
R out
Speaker
Speaker
Parameter Value Explanation
Speaker Type
(See the following table) Type of speaker
Mic Setting 1, 2, 3
Adjusts the location of the microphone that is
recording the sound of the speaker.
This can be adjusted in three steps, with the
microphone becoming more distant in the order
of 1, 2, and 3.
Mic Level # 0–127 Volume of the microphone
Direct Level # 0–127 Volume of the direct sound
Level # 0–127 Output level
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the
number of units.
Type Cabinet Speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x4 condenser
11: PHASER
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
R in
R out
L in
L out
Phaser
Mix
2-Band
EQ
Phaser
2-Band
EQ
Mix
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser
Manual # 0–127
Adjusts the basic frequency from which the
sound will be modulated.
Rate 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Depth of modulation
Polarity
Selects whether the left and right phase of the modulation will be the
same or the opposite.
INVERSE
The left and right phase will be opposite. When
using a mono source, this spreads the sound.
SYNCHRO
The left and right phase will be the same. Select
this when inputting a stereo source.
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98[%]
Adjusts the proportion of the phaser sound that
is fed back into the eect.
Negative (-) settings will invert the phase.
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Level 0–127 Output level
12: STEP PHASER
This is a stereo phaser. The phaser eect will be varied gradually.
R in
R out
L in
L out
Step Phaser
Mix
2-Band
EQ
Step Phaser
2-Band
EQ
Mix
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser
Manual # 0–127
Adjusts the basic frequency from which the
sound will be modulated.
Rate # 0.05–10.00[Hz], note Frequency of modulation
Depth 0–127 Depth of modulation
Polarity
Selects whether the left and right phase of the modulation will be the
same or the opposite.
INVERSE
The left and right phase will be opposite. When
using a mono source, this spreads the sound.
SYNCHRO
The left and right phase will be the same. Select
this when inputting a stereo source.
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98[%]
Adjusts the proportion of the phaser sound that
is fed back into the eect.
Negative (-) settings will invert the phase.
Step Rate # 0.10–20.00[Hz], note Rate of the step-wise change in the phaser eect
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Level 0–127 Output level
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3
3
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