Sony DPS-R7 - LCL. MIDI Block Functions; LCL. MIDI Real-time Control; LCL. MIDI Application Examples

Other Blocks easier:
LCL. MID! Block
LCL. (LOCAL) MIDI is used when changing tones in real time using MIDI equipment.
it is not intended for rewriting the data in the preset/user memory, but it temporarily changes only the tones based on the data in
memory.
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i)
=
—- 5
Parameters ? eee Meanings. See | ry
control no. 1-4 Enter the MIDI contro! change number. Available values are off, 0-120 or Key velocity, =
Channel key pressure and Note number. <4
es 7 8
parameter block 1-4 Select the signal processing block controlled by the number you enter in “control o
no.1-4”. | S
: a
parameter name 1-4 Select the parameter controlled by the number you enter in “control no.1-4’’.
Applications for LCL. MIDI
LCL. MIDI is a pioneering function that allows real time control of the internal parameters by means of external MIDI information
such as control change number 0 — 120, key velocity, channel key pressure and note numbers, etc.
Moreover it enables simultaneous setting of up to 4 parameters on a memory basis. All the internal parameters besides "time
scale” are controllable.
<Sampie Application >
The DPS-R7 is connected with a synthesizer.
INPUT PRE-EFFECT REVERB _—s«#POST-EFFECT OUTPUT:
de
STEREO
EQ
oe
CHI
O=—==>
ce
ame
|
HALL
REV
|
>
+
amm>
CH
SHIFTER
EXCITER
ene
-
|
@LFO
@Exciter
@output
|
CH2
On
—>
Freq
|—>
===>}
Level
Level
{==>
CH2
(After
touch)
(Data
Entry)
(Volume)
Jove?
@
Channel
Pressure
(After
touch)
controls
the
LFO
@®
Data
Entry.
(controller
no.6)
controls
the
exciter
level.
a
frequency
of
the
phase
shifter.
The
data
entry
volume
on
the
synthesizer
performs
m8.
adjustment of the exciter level.
@ Note number controls the reverberation level. Playing
on a higher key enables larger volume of the @® Volume (controller no.7) controls At level. A foot.
reverberating sound. volume connected to the synthesizer controls the effect
volume directly.
PARAMETERS OF EACH BLOCK 3 9