Yamaha MIXING CONSOLE - Page 46

Yamaha MIXING CONSOLE

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46 Chapter 4—Connections and Setup

01V96—Owner’s Manual

Table of Contents

Default Chapter3
- Explanation of Graphical Symbols3
- Important Safety Instructions3
- Important Information4
- Operating Notes5
- Optional Extras6
- Package Contents6
- Yamaha Web Site6
- Conventions Used in this Manual7
- Table of Contents8
1 Welcome11
- Scene Memory12
2 Control Surface & Rear Panel13
- Control Surface13
- Scene Button18
- Patch Button18
  - Display Section19
  - LAYER Section19
- Selected Channel Section20
- Q Control20
- Scene Memory Section21
  - USER DEFINED KEYS Section21
  - Data Entry Section22
- Parameter Wheel22
- SOLO Section22
- Rear Panel23
- Ad Output Section23
- Phantom +48V23
- Digital I/O Section24
- MIDI/Control Section25
- Slot Section25
- Power Section25
- Installing an Optional Card26
3 Operating Basics27
- About the Display27
- Sampling Rate Indicator28
- Selecting Display Pages28
  - Page Title28
  - Rotary Controls & Faders29
- Display Interface29
- Parameter Boxes29
  - Title Edit Window30
  - Confirmation Messages30
- Selecting Layers31
- Selecting Channels32
- Selecting Fader Modes33
- Metering34
4 Connections and Setup37
- Connections37
- Wordclock Connections and Settings40
  - About Wordclock40
  - Daisy Chain Distribution40
- Input and Output Patching43
- Patching Input Channels43
5 Tutorial47
- Connections and Setup47
- Initial Track Recording49
- Overdubbing to Other Tracks60
- Setting the Input Levels60
- Mixing Recorded Tracks into Stereo (Mixdown)63
- Using the Internal Effects66
6 Analog I/O & Digital I/O69
- Analog Inputs & Outputs69
- Digital Inputs & Outputs71
- Digital I/O Connectors71
- Converting Sampling Rates of Signals Received at I/O Card Inputs72
- Monitoring Digital Input Channel Status73
- Dithering Digital Outputs74
- Setting the Transfer Format for Higher Sampling Rates75
7 Input Channels77
- About Input Channels77
- Setting the Input Channels from the Display79
- Pan Buttons86
- Viewing Input Channel Settings87
- Setting the Input Channels from the Control Surface90
- Pairing Input Channels92
- Naming Input Channels94
8 Bus Outs97
- About Stereo out97
- Bus out 1-898
- Setting the Stereo out and Bus out 1-8 from the Display99
- Setting the Stereo out and Bus out 1-8 from the Control Surface104
- Setting the Levels104
- Pairing Buses or aux Sends105
- Attenuating Output Signals106
- Naming the Stereo out and Bus Outs107
9 Aux Outs109
- Aux out 1-8109
- Setting aux out 1-8 from the Display110
- Viewing aux out Settings112
- Setting aux out 1-8 from the Control Surface113
- Setting aux Send Levels113
- Variable Mode115
- Viewing aux Send Settings for Multiple Channels117
- Panning aux Sends119
- Copying Channel Fader Positions to aux Sends120
10 Input & Output Patching121
- Input Patching121
- Output Patching123
- Patching Direct Outs125
- Insert Patching127
11 Monitoring131
- Monitor131
- Monitor and solo Setup132
- Using the Monitor133
- Using the solo Function134
12 Surround Pan135
- Using Surround Pan135
- Setting up and Selecting Surround Pan Modes136
- Surround Panning141
13 Grouping Channels & Linking Parameters147
- Grouping & Linking147
- Mute Group147
- Using Fader Groups and Mute Groups148
- Linking EQ and Compressor Parameters150
14 Internal Effects153
- About the Internal Effects153
- Using Effects Processors Via aux Sends154
- Inserting the Internal Effects into Channels156
- Editing Effects157
- About Plug-Ins159
15 Scene Memories161
- About Scene Memories161
- What Is Stored in a Scene161
- About Scene Numbers162
- Storing & Recalling Scenes163
- Auto Scene Memory Update165
- Fading Scenes166
- Recalling Scenes Safely168
- Sorting Scenes169
16 Libraries171
- About the Libraries171
- General Library Operation171
- Using Libraries173
17 Remote Control185
- About Remote Function185
- Pro Tools Remote Layer186
- Control Surface Operation192
- Flip Mode197
- Nuendo Remote Layer202
- Other DAW Remote Layers202
- MIDI Remote Layer203
- Using the MIDI Remote Function203
- Machine Control Function208
- Transport Section210
18 MIDI211
- MIDI & the 01V96211
- MIDI Port Setup212
- Machine Control Section212
- Assigning Scenes to Program Changes for Remote Recall215
- Assigning Parameters to Control Changes for Real-Time Control216
- Controlling Parameters by Using Parameter Changes221
- Transmitting Parameter Settings Via MIDI (Bulk Dump)222
19 Other Functions225
- Changing the Input and Output Channel Names225
- Setting Preferences226
- Prefer1 Page226
- Prefer2 Page228
- Creating a Custom Layer by Combining Channels (User Assignable Layer)229
- Using the Oscillator230
- Using the User Defined Keys231
- Using Operation Lock233
- Cascading Consoles234
- Checking the Battery and the System Version238
- Initializing the 01V96239
- Calibrating the Faders240
Appendix A: Parameter Lists241
- User Defined Keys241
- USER DEFINED KEYS Initial Assignments243
- Input Patch Parameters243
- Initial Input Patch Settings245
- Output Patch Parameters247
- Initial Output Patch Settings249
- User Defined Remote Layer Initial Bank Settings250
- Effects Parameters254
- Ring Mod262
- Preset EQ Parameters274
- Preset Gate Parameters (Fs = 44.1 Khz)278
- Preset Compressor Parameters (Fs = 44.1 Khz)278
Appendix B: Specifications283
- General Spec283
- Gate Parameters287
- Libraries288
- Analog Input Spec289
- Analog Output Specs289
- Digital Input Spec290
- Digital Output Spec290
- I/O SLOT Spec290
- CONTROL I/O Spec291
- Dimensions291
Appendix C: MIDI292
- Scene Memory to Program Change Table292
- Initial Parameter to Control Change Table293
- MIDI Data Format309
  - System Exclusive Message310
  - Timing Clock310
- Program Change310
Appendix D: Options323
Index324
- MIDI Implementation Chart330

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