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General| Type | Analog |
|---|---|
| Synthesis Type | Subtractive |
| Polyphony | 16 Voices |
| Modulation | Extensive modulation matrix |
| Arpeggiator | Yes |
| Oscillators | 2 per voice |
| LFO | 2 per voice |
| Filter | 2 multi-mode filters per voice |
| Effects | Chorus, Flanger, Delay, Reverb |
| Keyboard | 61-key, velocity-sensitive |
| MIDI | In, Out, Thru |
| Outputs | Stereo outputs, headphone output |
This section details compliance with FCC rules for digital devices and potential interference.
Information regarding the CE Declaration of Conformity for the product.
Guidance on the structure and intended use of the Andromeda A6 Reference Manual.
Defines essential technical terms used throughout the manual for clarity.
Lists the basic requirements for setting up and using the Andromeda A6 synthesizer.
Details on connecting the A6 to sound systems or headphones for audio output.
Explains how to connect the A6 to other MIDI devices for system integration.
A guide to get the Andromeda A6 up and running quickly, including auto-tuning.
Instructions on how to select sounds (Programs) and mixes from the A6's memory.
Explains the function of the global MASTER VOLUME control for overall output.
An overview of the Andromeda A6's front panel layout and controls.
Describes the three basic operating modes: Program, Mix, and Global.
Illustrates the memory organization of the A6 across Program, Mix, and Global modes.
Details on selecting Programs and Mixes using direct-select buttons and the display.
Procedure for saving edited Programs and Mixes to memory locations.
Explains how to construct splits and layers using Mix Channels.
Describes Global mode and its parameters for master settings.
Details on MASTER VOLUME and MASTER TUNE controls.
Information on the A6's keyboard specifications and performance modes.
Explains KBD MODE controls like UNISON X, DETUNE, and POLY/MONO.
Details the portamento function, its controls, and parameters.
Describes the function and programmability of pitch/mod wheels and ribbon controller.
Explains the use and setup of pedals and footswitches connected to the A6.
Covers the A6's clock function for global synchronization.
Details the A6's 16-step, 3-level programmable step sequencer.
Explains the A6's programmable arpeggiator function.
Explains the fundamental concept of synthesizers and sound generation.
Compares analog and digital synthesis methods and their historical context.
Introduces basic waveforms (sine, triangle, square, sawtooth) and their properties.
Explains how harmonics contribute to sound timbre and character.
Discusses how sound changes subtly over time, like in acoustic instruments.
Introduces envelopes as controls for shaping sound over time.
Explains Low Frequency Oscillators and their use in modulation like vibrato.
Illustrates the basic signal flow and components of an analog synthesizer.
Explains fundamental principles of the A6's function organization.
Details Program mode, where single sounds are played and edited.
Describes Mix Mode for combining multiple Programs into layers or splits.
Information on using PCMCIA SRAM cards for additional memory.
A comprehensive list of the Andromeda A6's functions and features.
Details the sound sources: Oscillators (VCOs) and Noise Generator.
Explains the function of Filters (VCFs) and Ring Modulator.
Describes LFOs, Envelopes, and the Tracking Generator as modulation sources.
Explains the PRE FILTER MIX, POST FILTER MIX, and VOICE MIX modules.
Details the keyboard, wheels, ribbon controller, and pedal/footswitch inputs.
Overview of the A6's analog distortion and digital effects systems.
Explanation of MASTER VOLUME, MASTER TUNE, and TRANSPOSE controls.
Introduction to the A6's comprehensive MIDI system and capabilities.
Details the A6's Voltage Controlled Oscillators (VCOs) as primary sound sources.
Summarizes the pages of parameters for OSC 1 and OSC 2.
Explains modulation of VCOs using ENV 1, OSC 2 FM, and NZEXT sources.
Describes the A6's two filters (FILTER 1 and FILTER 2) for harmonic control.
Explains the function of filters in controlling sound brightness and timbre.
Details filter modes like Low Pass, High Pass, Band Pass, and Notch.
Defines filter slope as the rate of frequency filtering (dB per octave).
Explains how the Resonance control raises harmonic amplitude near the cutoff frequency.
Describes how keyboard tracking affects filter frequencies.
Illustrates the signal flow through the A6's filter sections.
Lists and describes parameters for Filter 1 and Filter 2.
Explains the concept of modulation as changing one sound aspect with another.
Introduces envelopes as crucial modulation sources for shaping sound.
Describes envelope shape, determined by level and time settings.
Details parameters for envelope stage duration (TIME) and slope (SHAPE).
Explains envelope slope options (Linear, Exponential, Logarithmic, S-Curve).
Sets the output level for each stage of the envelope.
Determines how envelopes are triggered and how they progress through stages.
Describes the seven envelope modes and their behavior.
Explains how modulation sources trigger envelopes based on level and polarity.
Allows specification of looping behavior for envelope stages.
Enables modulation of envelope parameters using various sources.
Provides examples of different envelope contours and functionalities.
Introduces LFOs as sources for periodic and aperiodic modulation.
Details parameters for LFOs, including Rate, Shape, and Polarity.
Explains setting the LFO waveform shape and rate.
Covers starting LFO oscillation using various trigger sources.
Allows synchronization of LFO frequency with Master Clock or MIDI Clock.
Details LFO modulation of parameters like Frequency, Delay, and Amplitude.
Explains the Sample and Hold module as a mod source.
Introduces the Tracking Generator and Engine Optimizer modules.
Describes the Tracking Generator for scaling modulation sources.
Details the parameters for the 16-stage Tracking Generator.
Explains how the Engine Optimizer improves patch response.
Overview of the A6's mixing system for creating sounds.
Details the PRE FILTER MIX module's function and controls.
Explains the operation of OSC, SUB OSC, RING MOD, and NOISE/EXTERNAL controls.
Illustrates how signals are routed through the A6's filters.
Details the POST FILTER MIX module's controls for filter outputs.
Explains the final mixing stages and controls for MAIN/AUX outputs and panning.
Introduces the concept of custom modulation paths and the Modulation Matrix.
Explains the flexibility of the A6's Modulation Matrix.
Discusses options for controlling modulations constantly or via performance controllers.
Explains the concept of the Mod Matrix as a table of sources and destinations.
Provides essential guidelines for creating and managing modulation paths.
Illustrates the signal flow of a modulation path with controls.
Categorizes modulation sources (Voice, Program, Global, Clock/Gate).
Overview of the A6's analog distortion and digital effects systems.
Describes how signals travel through the effects processors.
Explains the EFFECTS ON/OFF, CONFIG, and MOD buttons.
Guide to selecting effect types and editing their parameters.
Step-by-step guide to editing a reverb effect.
Describes the organization of the A6's digital effects system.
Details single effect configurations and examples.
Explains stereo effect configurations and their parameters.
Describes parallel configurations of two discrete effects.
Explains dual mono configurations with independent controls.
Details multi-chain configurations where effects are connected in series.
Provides detailed descriptions of various reverb configurations.
Lists and describes the different delay configurations and parameters.
Explains pitch effects like Chorus, Flange, and Pitch Shifter.
Defines Mix Mode and its capabilities for layering and splitting sounds.
Clarifies the difference between Mix Channels and MIDI Channels.
Provides steps for creating a custom multitimbral mix for MIDI sequencers.
Explains how to tweak individual Programs within a Mix.
Describes how to solo a specific Mix Channel.
Details how to set effect send levels and copy effects within Mix Mode.
Provides a background on MIDI technology and its applications.
Explains MIDI connections using ports like MIDI IN, OUT, and THRU.
Details Channel and System messages used in MIDI communication.
Explains messages like Note On/Off, Velocity, and Program Change.
Describes the four MIDI modes (Omni On/Off, Poly/Mono) affecting instrument response.
Covers real-time MIDI messages like Timing Clock, Start, Stop, and Active Sensing.
Explains common system messages like Song Position Pointer and Tune Request.
Details System Exclusive messages for program and sample data transfer.
Discusses the A6's MIDI functions, including multitimbral sequencing.
Explains how to set MIDI transmission and reception variables in Global mode.
Details parameters for MIDI settings like Mix Select, Program Change, and CCs.
Maps MIDI Continuous Controllers to Andromeda's controllers.
Sets response of top panel controls and MIDI NRPN data.
Defines technical terms used throughout the Andromeda A6 manual.
Lists and explains software modulation sources available in the A6.
Provides guidance for resolving common operational problems with the A6.
Explains the AUTO TUNE feature and its display.
Details parameters for manual tuning and voice calibration.
Guides users on interpreting the tune status display.
Instructions for updating the A6's software via MIDI.
Summary of functions accessed by holding soft buttons during power-up.
A table listing common symptoms, causes, and solutions for A6 problems.
Lists the technical specifications of the Andromeda A6 synthesizer.
Details the MIDI functions supported by the A6.
Provides warranty information and terms for the Andromeda A6.
Instructions on obtaining professional repair service for the unit.
Steps for customers to follow when seeking repair service.
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