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Auxiliary Send Masters
24. AUX SENDS 1-6 CONTROLS & PFL
These are the Master levels for Auxiliary Sends. Each has its own PFL switch
to monitor the AUX send buses pre fader.
25. AUX 1-4 FLIP SWITCHES
The AUXiliary FLIP switches on AUX send 1-4 are for the purpose of providing
XLR balanced outputs for these auxiliaries. This is especially useful for balanced
monitor sends. When the switch is down, the output of the auxiliary is sent to
the corresponding group XLR output and meter bridge feed. At the same time, the affected group output is fed to the auxiliaries 1/4” output jack.
No other operation is affected.
26. AUX SENDS 7/8 CONTROL & L-R SWITCH
The AUX SENDS 7/8 CONTROL is a stereo master level for both the AUX Send 7 and 8. The output of AUX 7-8 level can be sent to the L-R mas-
ters via the L-R switch providing a route for secondary channel inputs to get to the main L-R mix.
Stereo Returns & Tape IN/OUT
27. STEREO RETURN LEVEL AND PAN
The stereo return level is the main level control for the return. The stereo return PAN works as a balance control for Stereo inputs and as a PAN
control for mono inputs.
28. STEREO RETURN AUX 1 AND AUX 2 SENDS
The Stereo return AUX 1 and AUX 2 send controls allow the returns to be fed to the monitor mixes. These Aux sends are created from summing
the left and right pre-level return signals. Because they are pre-level, they can be controlled independently of the signal going to the main left
right mix.
29. STEREO RETURN MUTE AND SOLO
Each stereo return contains a MUTE and a SOLO switch. The MUTE is equivalent to a L-R assignment on the channels, except it works in the
reverse action. The MUTE switch is post the PAN and LEVEL controls. The SOLO switch is an in-place stereo solo, placed in the same location
as the MUTE (post PAN and LEVEL).
30. TAPE OUT LEVEL AND SOURCE SWITCH.
The TAPE OUT level provides an on board control for the RCA tape output. The level is limited to adding a maximum of +6db to the original
signal going out in order to prevent overdriving the recording equipment used. The L-R or AUX 7-8 source switch is provided to allow the record-
ing of a live performance from the main L-R house mix or an independent mix through the AUX 7-8 sends.
31. TAPE IN LEVEL
This adjusts the level of the signal coming from RCA TAPE IN jacks.
32. TAPE IN L-R AND AUX 1-2 SWITCHES
These switches allow playback of the RCA TAPE IN signal through the main L-R mix and/or the AUX 1-2 monitor mixes.
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