Tips and Limitations
This section can be considered the FAQ part of this manual. It is
both a random compilation of tips & tricks and useful advice to
cure little ailments.
Nice to know
• If you are playing at a xed tempo and want to be able to shift a
channel by a 16th note, simply calculate the duration of a 16th
note and set the maximum shift range to this value. The formula
is:
Shift Range =
15000
BPM
• An huge number of multiclocks can be fed paralell by the same
Audio Clock source. Simply use a passive audio spitter to feed
the signal to as many clocks as you need.
• You can set machine mode on the multiclock to POS and keep
the ability to perform negative shifts using Audio Sync if you
are able to congure a negative track delay on the Plugin or
Sync Track audio output on the DAW. Example: Set the track
delay to -100 ms on the DAW and the shift range of the channels
to +200 ms. The zero position in time on the multiclock is at
+100 ms then and you can move back and forth from there.
• DIN Sync and shue at the maximum tempo of 300 BPM can
cause some old machines to stutter - they are old, please be a bit
tolerant about their quirks.
• Of course the multiclock follows a tempochange of the master-
clock seamlessly under normal circumstances. Nevertheless, if
you try too jump from 30 to 300 BPM within an instant it might
react with a little hickup before getting back on track.
• Please be very careful with machines/eurorack modules which
oer a frequency multiplicator internally. Due to the internal
structure of their algorithms, unpredictable osets will occure
when you shift clocks around!
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